Harvey Mandel - Cristo Redentor (1968)

Year: 1968 (CD 2003)
Label: Raven Records (Australia), RVCD-163
Style: Psychedelic Rock, Instrumental
Country: Detroit, Michigan, U.S. (March 11, 1945)
Time: 77:02
Format: Flac Tracks 16/44,1 kHz
Size: 424 Mb

Cristo Redentor is the debut album by Harvey Mandel. Richie Unterberger of AllMusic writes that "Mandel's debut remains his best early work." John Tobler wrote in the liner notes of the CD that Mandel "was good enough to be invited to audition for The Rolling Stones and he worked with John Mayall and Canned Heat - but it is for this Cristo Redentor album, and particularly for the utterly classic Wade in the Water that he will be remembered." This album is completely instrumental with the exception of the title track where soprano Jacqueline May Allen, joined by Carolyn Willis, Edna Wright and Julia Tillman Waters, blend their wordless voices as if another instrument.
(en.wikipedia.org/wiki/Cristo_Redentor_(album))
This is an Australian release. Compared to the original vinyl, the track order has been changed and 8 bonus tracks have been added.

01. Wade In The Water (07:52)
02. Lights Out (04:56)
03. Bradley's Barn (03:20)
04. You Can't Tell Me (04:22)
05. Nashville 1 A.M. (03:41)
06. Cristo Redentor (03:50)
07. Before Six (06:31)
08. The Lark (04:42)
09. Snake (03:49)
10. Long Wait (02:48)
11. Spirit of Trane (04:04)
12. My Time Ain't Long (03:50)
13. Let's Work Together (02:52)
14. That's All Right (05:33)
15. A Little Soul Food (04:07)
16. What Comes Around Goes Around (04:24)
17. My Soul's On Fire (04:16)
18. Which Witch is Which (01:57)

UploadyIo     FreedlInk

All my files:     UploadyIo     MexaShare     KatFile

Kaleidoscope - Faintly Blowing [Japanese Ed.] (1969)

Year: April 11, 1969 (CD Aug 10, 2005)
Label: Air Mail Archive (Japan), AIRAC-1122
Style: Folk Rock, Psychedelic Rock
Country: London, England
Time: 44:44
Format: Flac Tracks 16/44,1 kHz
Size: 254 Mb

Kaleidoscope are an English psychedelic rock band from London that originally were active between 1967 and 1970. The band's songs combined the elements of psychedelia with whimsical lyrics. The band were also known at various times as The Sidekicks, The Key, I Luv Wight and Fairfield Parlour.
Having performed since 1963 under the name The Sidekicks, they became The Key in November 1965, before settling upon the name Kaleidoscope when they signed a deal with Fontana Records in January 1967 with the help of the music publisher Dick Leahy. The group consisted of Eddy Pumer on guitar, Steve Clark on bass and flute, and Danny Bridgman on drums and the vocalist Peter Daltrey, who also played various keyboard instruments. Most of the band's songs were compositions of Pumer's music and Daltrey's lyrics. While the group did not achieve major commercial success in its time, it retains a loyal fan base and its recordings are still held in high regard.
The band's first single "Flight from Ashiya" (b/w "Holidaymaker") was released on 15 September 1967 by Fontana Records, a little earlier than the band's first album Tangerine Dream. The single, with its lyric about an impending plane crash, got critical acclaim and quite an amount of radio airplay but failed to reach the charts.
Two months later, Tangerine Dream—also produced by Dick Leahy—was released. The album included "Flight From Ashiya", "Please Excuse My Face" and "Dive into Yesterday," now considered some of the band's best songs. Meanwhile, the band performed live on several BBC Radio shows. A new single was released in 1968 called "Jenny Artichoke" (b/w "Just How Much You Are"), inspired by Donovan's, "Jennifer Juniper". After the release the band traveled around Europe, supporting Country Joe and the Fish at the Amsterdam Concert Hall while in Netherlands. Faintly Blowing, also produced by Leahy, was released in 1969 by Fontana Records. This time the band's sound was heavier, but the tracks still included psychedelic elements with striking lyrics but it failed to reach the charts. After the failure of Faintly Blowing, they released two more singles.
(en.wikipedia.org/wiki/Kaleidoscope_(British_band)#Discography)

01. Faintly Blowing (04:10)
02. Poem (02:55)
03. Snapdragon (02:45)
04. A Story From Tom Bitz (03:47)
05. (Love Song) For Annie (02:36)
06. If You So Wish (03:43)
07. Opinion (00:20)
08. Bless The Executioner (03:00)
09. Black Fjord (03:15)
10. The Feathered Tiger (05:12)
11. I'll Kiss You Once (01:00)
12. Music (06:15)
13. Do It Again For Jeffrey (03:17)
14. Balloon (02:23)

UploadyIo     FreedlInk

All my files:     UploadyIo     MexaShare     KatFile

Alexander Spence (ex Moby Grape, Jefferson Airplane) - Oar (1969)

Year: May 19, 1969 (CD Jul 20, 1999)
Label: Sundazed Music (US), SC 11075
Style: Psychedelic Folk, Folk Rock, Psychedelic Rock
Country: San Francisco, California, U.S. (April 18, 1946 - April 16, 1999)
Time: 65:23
Format: Flac Tracks 16/44,1 kHz
Size: 368 Mb

Described as "one of the most harrowing documents of pain and confusion ever made", the album was recorded after Spence had spent six months in Bellevue Hospital. Spence had been committed to Bellevue following a delusion-driven attempt to attack Moby Grape bandmates Don Stevenson and Jerry Miller with a fire axe.
At the time of Spence's release from hospital, he had written a number of songs that he wanted to record. Producer David Rubinson suggested that Spence record at the Columbia Studios in Nashville, where there was a particularly patient recording engineer, Mike Figlio. Rubinson instructed Figlio to keep the tapes running at all times, to record everything that Spence did. The majority of the tracks were recorded using a three-track recorder. Rubinson chose to stay away from the studio, concerned that Spence's recording activities would be distracted by the presence of a producer.
According to Spence, the Nashville sessions were intended by him to only be a demo, which he gave to Rubinson with the intent that the songs would be fleshed out with full production for the actual album. Instead, Rubinson had the demo recordings released by Columbia.
(en.wikipedia.org/wiki/Oar_(album))

01. Little Hands (03:44)
02. Cripple Creek (02:16)
03. Diana (03:32)
04. Margaret - Tiger Rug (02:17)
05. Weighted Down (The Prison Song) (06:27)
06. War In Peace (04:05)
07. Broken Heart (03:29)
08. All Come To Meet Her (02:04)
09. Books Of Moses (02:42)
10. Dixie Peach Promenade (Yin For Yang) (02:53)
11. Lawrence Of Euphoria (01:31)
12. Grey / Afro (09:38)
13. This Time He Has Come (04:42)
14. It's The Best Thing For You (02:48)
15. Keep Everything Under Your Hat (03:06)
16. Furry Heroine (Halo Of Gold) (03:35)
17. Givin' Up Things (00:59)
18. If I'm Good (00:47)
19. You Know (01:47)
20. Doodle (01:02)
21. Fountain (00:34)
22. I Think You And I (01:14)

UploadyIo     FreedlInk

All my files:     UploadyIo     MexaShare     KatFile

After Tea - After Tea (1969)

Year: 1969 (CD ????)
Label: Fonos Records (Netherlands), LP-4035
Style: Psychedelic Rock
Country: Delft, Holland
Time: 38:00
Format: Flac Tracks 16/44,1 kHz
Size: 228 Mb

After Tea were a pop/rock group out of Delft, Holland. The band came about in mid-1967 when three members of the Tee Set decided to split off and form their own band after a conflict with singer Peter Tetteroo and manager Theo Cuppens. Hans van Eijck (organ, composer), Polle Eduard (bass, vocals) and Ray Fenwick (guitar) soon hired Martin Hage (drums) to round out the lineup. After Tea scored a hit with their first single “Not Just A Flower In Your Hair,” a song very fitting for the “Summer of Love” and flower power craze at the time.
After the release of their debut lp, National Disaster, the band had to deal with a number of personnel changes. Fenwick, originally from England, returned home once his work permit expired and went on to join The Spencer Davis Group. He was replaced by Ferry Lever. Not long after, Eduard was arrested and sentenced to imprisonment for a brief period for possession of drugs. In his absence, he was replaced by two old acquaintances from the Nederbiet scene: singer Frans Krassenburg (who left The Golden Earring in 1967) and bassist Henk Smitskamp who had been kicked out of The Motions.
In 1968 the band made a parody of De Heikrekels, releasing it under the name “de Martino’s,” which was intended to show just how easy it was to score a hit in this genre. In May 1969 they released a collector’s item in the form of a picture disc. Partnering with a large jeweler, whenever an engagement ring was sold, the customer would receive a booklet and a copy of the band’s single “Desiree” / “The Wedding Song.”
After Tea continued to release records, but were never able to find the success they did on their first two releases. In 1969 Eijck returned to the Tee Set. He was replaced by the German Ulli Grun (formerly from The Boots), It was around this time that Ilja Gort joined as the band’s new drummer. With this lineup, After Tea decided to focus more on blues rock and LP oriented music. In 1970 Ferry Lever also switched over to the Tee Set, which has since enjoyed international success with “Ma Belle Amie.” 
Eduard and Grun continued in the group Drama, and Gort went on to have a very successful career composing advertising tunes and later making wine.
(psychedelicized.com/playlist/a/after-tea/)

01. A Perfect Way To Spend A Day (03:20)
02. Sound Of A Backstreet (02:45)
03. We Will Be There After Tea (03:02)
04. Sweet Elaine (03:44)
05. Not Just A Flower In Your Hair (02:28)
06. Peruquine Thomas (02:05)
07. Snowflakes On Amsterdam (02:29)
08. Sunny Side Of Mable Block (03:17)
09. Water And White Marble (04:40)
10. Lily Of The Valley (03:06)
11. Love In Jeopardy (03:09)
12. A Little Bit Today (A Little Bit Tomorrow) (03:49)

UploadyIo     FreedlInk

All my files:     UploadyIo     MexaShare     KatFile

Love - Live In England 1970 (2007)

Year: 2007 (CD Jun 26, 2007)
Label: Hip-O Select (US), B0007827-02
Style: Psychedelic Rock, Garage Rock
Country: Los Angeles, California, U.S.
Time: 56:34
Format: Flac Tracks 16/44,1 kHz
Size: 381 Mb

Arthur Lee seems so embedded in the 1960s that it's hard to imagine him existing outside that decade. Strongly influenced by the baroque folk-pop of the Byrds, his smart, steely psychedelia conveyed a dark vision of hippie America-- a distinct contrast to the good vibrations typically associated with the Summer of Love. That was the same year-- 1967, for those of you who don't read Rolling Stone (which I think might be everybody)-- that Lee and his band Love released its scene-paranoid masterpiece Forever Changes, on which he painted himself as a true L.A. outsider, haunting the scrub-brush hills and looking deep into the dark heart of the city around him. In those songs, he foretells his own doom, and everyone else's: On "The Red Telephone", he sings, "Sitting on the hillside/ Watching all the people die/ I'll feel much better on the other side."
On these two albums (Out Here and False Start), Lee repeatedly refers to other artists and other songs, which doesn't anchor him to the mainstream culture but reiterates his underground detachment. This constant dissociation heightens the lively tension on the live disc, which was recorded at various stops on the band's 1970 tour of England. Like the studio version that closes Out Here, "Gather 'Round" appropriates the melody from Dylan's "The Times They Are A'Changin'", not out of laziness but as a pointed commentary on the death of that generation's idealism. Lee thrives on complication and contradiction: As either a supremely cynical or a playful gesture, he turns the song into an impromptu cover of Wilson Pickett's "Funky Broadway". Similarly, he performs songs from every Love album (including a particularly caustic "Bummer in the Summer" from Forever Changes) as a means of acknowledging his past glories as well as his fraught history. Live, this version of Love sounds like a band mustering the conviction to take on the world one more time. But they never did: Lee disbanded the line-up shortly after the tour. Love would barely see the 70s, except as a series of failed reunions.
(full version: pitchfork.com/reviews/albums/10386-the-blue-thumb-recordings/)

01. Good Times (03:50)
02. August (05:17)
03. My Little Red Book (02:52)
04. Nothing (04:38)
05. Orange Skies (03:59)
06. Andmoreagain (04:00)
07. Gather Round (07:00)
08. Bummer In the Summer (03:26)
09. Singing Cowboy (08:14)
10. Signed D.C. (06:43)
11. Love Is More Than Words Or Better Late Than Never (06:31)

UploadyIo

All my files:     UploadyIo     MexaShare     KatFile

Gong - Angel's Egg: Radio Gnome Invisible Part II [4 bonus tracks] (1973)

Year: 7 December 1973 (CD October 4, 2004)
Label: Virgin Records (Europe), 7243 8 66556 2 2
Style: Canterbury Scene, Progressive Rock
Country: Paris, France
Time: 60:47
Format: Flac Tracks 16/44,1 kHz
Size: 338 Mb

It was recorded using The Manor Mobile studio at Gong's communal home, Pavillon du Hay, Voisines, France, and mixed at The Manor, Oxfordshire, England. The album was produced by "Gong under the direction of Giorgio Gomelsky".
Angel's Egg is the second in Gong's Radio Gnome Invisible trilogy of albums, following Flying Teapot and preceding You. The trilogy forms a central part of the Gong mythology. The original album did not have an apostrophe in the title.
The original vinyl edition came with a booklet containing an extensive explanation of the mythology, including lyrics, a glossary of terms, and profiles of characters in the story and band members. This edition also had a gatefold cover (omitted in later pressings), a plain inky blue inner sleeve to match the gate fold and booklet, and had the original black and white Virgin label which was discontinued after 1973; it was one of the last albums to use the original label. Some copies had a sticker over top of the female nude in the moon on the cover.
The CD version released by Virgin Records, and later reissued on Charly Records contains an extra track: "Ooby-Scooby Doomsday or The D-day DJs Got the D.D.T. Blues", that ends with a male voice choir glissando (questionably regarded by some[by whom?] as a parody on Pink Floyd's "Echoes"), starting with "Ahhhh" and ending with "Chooo", mimicking a sneeze. The track was originally released on the Live Etc. album but was excluded from the CD release (which reissued that double album as one disc), and included on this album instead.
(en.wikipedia.org/wiki/Angel%27s_Egg_(album))

01. Other Side Of The Sky (07:38)
02. Sold To The Highest Buddha (04:28)
03. Castle In The Clouds (01:12)
04. Prostitute Poem (04:53)
05. Givin My Luv To You (00:47)
06. Selene (03:42)
07. Flute Salad (02:09)
08. Oily Way (03:37)
09. Outer Temple (01:08)
10. Inner Temple (02:34)
11. Percolations (00:45)
12. Love Is How Y Make It (03:28)
13. I Never Glid Before (05:37)
14. Eat That Phone Book Coda (03:14)
15. Other Side Of The Sky (Single Version) (04:36)
16. Ooby-Scooby Doomsday Or The D-Day DJ's Got The D.D.T. Blues (05:11)
17. Love Is How Y Make It (1973 Vocal Mix) (02:32)
18. Eat That Phone Book Coda (Early Version) (03:09)

UploadyIo

All my files:     UploadyIo     MexaShare     KatFile

Love - Comes In Colours [Compilation] (1992)

Year: 1992 (CD 1992)
Label: Raven Records (Australia), RVCD-29
Style: Psychedelic Rock, Garage Rock
Country: Los Angeles, California, U.S.
Time: 74:53
Format: Flac Tracks 16/44,1 kHz
Size: 438 Mb

Love is an American rock band formed in Los Angeles in 1965. Led by Arthur Lee, the band's primary songwriter, they were one of the first racially diverse American rock bands. Their sound incorporated an eclectic range of styles including garage, folk rock, and psychedelia. While finding only modest success on the music charts, peaking in 1966 with their US No. 33 hit "7 and 7 Is," Love would come to be praised by critics as their third album, Forever Changes (1967), became generally regarded as one of the best albums of the 1960s.
The band's classic lineup is considered to consist of Lee, the guitarist and singer Bryan MacLean, the bassist Ken Forssi, the guitarist Johnny Echols and the drummer Donnie Conca, who was replaced by Alban "Snoopy" Pfisterer. By 1968, only Lee remained and he continued recording as Love with varied members through the 1970s. MacLean and Forssi died in 1998. Lee died in 2006. Forever Changes was added to the Library of Congress's National Recording Registry in 2011. In recent years, original member Johnny Echols has toured under the title of the Love Band or Love Revisited.
(en.wikipedia.org/wiki/Love_(band))

01. My Little Red Book (02:30)
02. Can't Explain (02:39)
03. A Message To Pretty (03:11)
04. Softly To Me (02:53)
05. Hey Joe (02:41)
06. Signed D. C. (02:46)
07. And More (02:58)
08. Seven And Seven (02:15)
09. No. 14 (01:42)
10. Stephanie Knows Who (02:27)
11. Orange Skies (02:50)
12. Que Vida! (03:40)
13. The Castle (03:00)
14. She Comes In Colours (02:45)
15. Alone Again (03:15)
16. And More Again (03:20)
17. Old Man (02:58)
18. A House Is Not A Motel (03:28)
19. The Daily Planet (03:30)
20. Live And Let Live (05:27)
21. Laughing Stock (02:33)
22. Your Mind And We Belong Together (04:21)
23. August (05:05)
24. Arthur Lee Interview-Love Origins (02:26)

UploadyIo

All my files:     UploadyIo     MexaShare     KatFile

The Electric Prunes - Mass In F Minor (1968)

Year: January 1968 (CD 2000)
Label: Rhino Records (Europe), R2 7519, CCM-134-2
Style: Psychedelic Rock, Progressive Rock
Country: San Fernando Valley, Los Angeles, California, U.S.
Time: 32:24
Format: Flac Tracks 16/44,1 kHz
Size: 205 Mb

Album consists of a musical setting of the mass sung in Latin and Greek and arranged in the psychedelic style of the band, and was written and arranged by David Axelrod.
Following the limited commercial success of the Electric Prunes' previous album, Underground, the band's manager Lenny Poncher and their producer Dave Hassinger, whose company owned the rights to the band name, agreed with Reprise Records that their third album would be written and arranged by David Axelrod, a classically trained musician. The album was planned to combine religious and classical elements with psychedelic rock, in a religious-based rock-opera concept album.[2] Axelrod was given carte blanche by Hassinger to do what he wanted with the Electric Prunes.
When the existing band – singer James Lowe, guitarists Ken Williams and Mike Gannon, bassist Mark Tulin, and drummer Michael "Quint" Weakley – came to record the album, it became apparent that the complex arrangements largely outstripped the band's ability to perform them to the standards expected by Axelrod, or within the time set aside for recording. Although Lowe, Tulin (the only band member who could read music) and Weakley appeared on all the tracks, and Williams and Gannon also appeared on the first three tracks ("Kyrie Eleison", "Gloria" and "Credo"), the album was finished by studio musicians working with engineer Richie Podolor on guitar, and a Canadian group, the Collectors.[2] The choral-style vocals were by Lowe, double-tracked.[5] Hassinger was credited with producing the album.
(en.wikipedia.org/wiki/Mass_in_F_Minor)

01. Kyrie Eleison (03:21)
02. Gloria (05:45)
03. Credo (05:02)
04. Sanctus (02:57)
05. Benedictus (04:52)
06. Agnus Dei (04:29)
07. Hey Mr President (bonus) (02:49)
08. Flowing Smoothly (bonus) (03:06)

UploadyIo

All my files:     UploadyIo     MexaShare     KatFile

Gong - Magick Brother (1970)

Year: March 1970 (CD 2004)
Label: Charly Records (UK), SNAP 199
Style: Canterbury Scene, Progressive Rock, Psychedelic Rock
Country: Paris, France
Time: 43:53
Format: Flac Tracks 16/44,1 kHz
Size: 257 Mb

Gong are a rock band associated with the Canterbury scene. They incorporate elements of psychedelic rock, jazz and space rock into their musical style. The group was formed in Paris in 1967 by Australian musician Daevid Allen and English vocalist Gilli Smyth.
Gong's 1970 debut album, Magick Brother, featured a psychedelic rock sound. By the following year, the second album, Camembert Electrique, featured the more psychedelic rock/space rock sound with which they would be most associated.
The band's recently recruited bass player Christian Tritsch was not ready in time to play on the album, and so singer/songwriter/guitarist Daevid Allen played the bass guitar himself; a photo of Allen recording bass tracks for the album is featured on the cover artwork. They also made use of jazz contrabass (double bass) players Earl Freeman and Barre Phillips, who were recording for the label at the same time, on three tracks. Occasional early Gong collaborator Dieter Gewissler, who normally played violin, also contributed some "free" bowed contrabass to two tracks. The LP sleeves were printed before the final track order and titles had been decided and so the songs "Rational Anthem" (AKA "Change the World") and "Glad To Sad To Say" were listed the wrong way round.
Shortly afterwards, the band played its debut gig at the BYG Actuel Festival in the small town of Amougies, Belgium, on 27 October 1969, introduced to the stage by bemused compere Frank Zappa.
(en.wikipedia.org/wiki/Gong_(band)) and (en.wikipedia.org/wiki/Magick_Brother)

01. Mystic Sister - Magick Brother (05:56)
02. Glad To Sad To Say (04:09)
03. Rational Anthem (03:44)
04. Chainstore Chant - Pretty Miss Titty (04:47)
05. Fable Of A Fredfish - Hope You Feel Ok (04:27)
06. Ego (03:59)
07. Gong Song (04:13)
08. Princess Dreaming (02:53)
09. 5 and 20 Schoolgirls (04:36)
10. Cos You Got Green Hair (05:04)

UploadyIo     MexaShare     FreedlInk

All my files:     UploadyIo     MexaShare

Arthur Lee [ex Love] - Vindicator [5 bonus tracks] (1972)

Year: August 1972 (CD 2007)
Label: BGO Records (UK), BGOCD783
Style: Hard Rock, Blues Rock, Psychedelic Rock
Country: Memphis, Tennessee, U.S. (March 7, 1945 - August 3, 2006)
Time: 51:41
Format: Flac Tracks 16/44,1 kHz
Size: 360 Mb

Vindicator is the first solo album by Arthur Lee, formerly of the rock band Love, released in 1972. The backing musicians are credited as Band-Aid. A cover of the track "Everybody's Gotta Live" was recorded by American rapper and singer Mac Miller, and released on his posthumous album Circles in 2020.
(en.wikipedia.org/wiki/Vindicator_(album))
Love's 1967 masterpiece Forever Changes was an album so beautiful and timeless that it tends to dwarf everything else in the group's repertoire, and its gentle balance of grace and dread has made a lot of people forget just how hard Love could rock when Arthur Lee and his bandmates were of a mind. While Love's debut album pushed folk-rock into an overdrive that resembled punk, Lee's first solo set, 1972's Vindicator, was a muscular set of guitar-fueled hard rock laced with blues, showing the clear influence of Lee's late friend Jimi Hendrix. With Charles Karp's powerful guitar leads dominating the arrangements and Lee's vocals strutting with maximum rock star swagger on tunes like "Love Jumped Through My Window" and "Sad Song," Vindicator boogies with a cocky confidence that belies the fact Lee's career was in need of a clear direction at the time, and while there are no signs of the delicacy of Forever Changes, three decades on this sounds like mid-'70s guitar rock at its best. Lee was able to bring a soulful edge to songs like "Everybody's Gotta Live" and "He Knows a Lot of Good Women," and he connects with a sly blues shuffle on "He Said She Said," but it's when Lee and Karp crank up their guitars and the rhythm section of Don Poncher and David Hull turn up the heat that Vindicator really takes off, inviting the spirit with the kiss-the-sky spirit of "You Want Change for Our Re-Run" and laying out some thick Marshall-stack crunch on "Every Time I Look Up I'm Down." And anyone wanting a dose of Lee's well-documented eccentricity won't be at all disappointed with the brief spoken word fragment "You Can Save Up to 50% But You're Still a Long Ways from Home" and the anti-fast food tirade "Hamburger Breath Stinkfinger," both of which confirm Lee didn't turn away his muse when he cut these sessions. While Arthur Lee could create music of simple and fragile beauty, that doesn't change the fact he was a rocker at heart, and he rarely rocked harder or with more passion than he did on Vindicator.
(allmusic.com/album/vindicator-mw0000751489)

01. Sad Song (02:20)
02. You Can Save Up To 50% But You're Still A Long Ways From Home (00:17)
03. Love Jumped Through My Window (02:57)
04. Find Somebody (03:47)
05. He Said She Said (02:18)
06. Every Time I Look Up I'm Down Or White Dog (I Don't Know What That Means!) (03:57)
07. Everybody's Gotta Live (03:31)
08. You Want Change For Your Re-run (04:17)
09. He Knows A Lot Of Good Women (Or Scotty's Song) (03:14)
10. Hamburger Breath Stinkfinger (02:44)
11. Ol' Morgue Mouth (00:53)
12. Busted Feet (04:54)
13. Everybody's Gotta Live (bonus) (03:33)
14. He Knows A Lot Of Good Women (bonus) (03:15)
15. Pencil In Hand (bonus) (02:19)
16. E-Z Rider (bonus) (02:59)
17. Looking Glass Looking At Me (bonus) (04:18)

UploadyIo     MexaShare

All my files:   UploadyIo     MexaShare