Vanilla Fudge - Renaissance (1968) (Vinyl)

Year: June 1968 (LP 1974)
Label: Midi Records (UK), MID 30043
Style: Rock
Country: Long Island, New York
Time: 41:11
Format: Flac Tracks 16/44,1 kHz
Size: 215 Mb

Renaissance peaked at #20 on the Billboard album charts in July 1968.
Renaissance is the third album by rock band Vanilla Fudge, released in June 1968. It was their first album to feature mostly original material, with five of its seven tracks penned by band members.
In addition to the band's original songs, Renaissance also included "The Spell That Comes After" (written by Frank Zappa's and Herb Cohen's protege Essra Mohawk, but erroneously credited on original pressings of the LP to Zappa's art director Cal Schenkel), and a cover version of "Season of the Witch", originally written and performed by Scottish folk singer Donovan. The band also interpolates lyrics from a second Essra Mohawk song, "We Never Learn", into their rendition of "Season of the Witch".

Carmine Appice (born December 15, 1946) - drums, vocals

Tim Bogert (born August 27, 1944) - bass guitar, vocals

Vince Martell (born November 11, 1945) - guitar, vocals

Mark Stein (born March 11, 1947) - lead vocals, keyboards

01. A1 The Sky Cried - When I Was A Boy (07:37)
02. A2 Thoughts (03:32)
03. A3 Paradise (06:02)
04. A4 That's What Makes A Man (04:26)
05. B1 The Spell That Comes After (04:30)
06. B2 Faceless People (06:06)
07. B3 Season Of The Witch (08:55)



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The Hollies - For Certain Because (Stop Stop Stop) (1966) (Vinyl)

Year: 9 December 1966 (LP 1988)
Label: BGO Records (UK), BGO LP9
Style: Rock
Country: Manchester, England
Time: 31:58
Format: Flac Tracks 16/44,1 kHz
Size: 216 Mb

For Certain Because is the fifth UK album by the Hollies and their second released in 1966. It was the first Hollies album in which all the songs were written by members Allan Clarke, Graham Nash, and Tony Hicks, and the first on which they did not use the pseudonym "Ransford". It was also the first Hollies album recorded with new bassist Bernie Calvert.
Retitled Stop! Stop! Stop! for the US and Canadian markets and issued with a different, full-color cover image of the group in the US market, this was also the fifth Hollies album released in the US and Canada, although the third released in 1966. It was the first Hollies album on which the track listing for all of the US, the Canadian, and the UK versions remained the same; that would not happen again until the 1970s. In addition, other markets used the title Stop! Stop! Stop! when issuing or reissuing this album, including the UK, which retitled it as Stop! Stop! Stop! for a 1971 budget-line reissue. In 1983, Liberty Records in the US reissued this album as Pay You Back With Interest without the tracks "Stop! Stop! Stop!" and "High Classed".
Stop! Stop! Stop! was the Hollies' last new album for Imperial Records in the US and for Capitol Records in Canada. Their next new album, Evolution, would be released in the US and Canada on Epic Records while remaining on Parlophone/EMI in the UK and would revert to having a different track lineup between the US/Canadian and UK versions.

Allan Clarke (born 5 April 1942) — vocals, harmonica
Tony Hicks (born 16 December 1945) — lead guitar, vocals
Graham Nash (born 2 February 1942) — rhythm guitar, vocals
Bobby Elliott (born 8 December 1941) — drums
Bernie Calvert (16 September 1942) — bass guitar except on "Don't Even Think About Changing", piano
Eric Haydock (born 3 February 1943) — bass guitar on "Don't Even Think About Changing"
Mike Vickers (born 18 April 1940) — orchestral arrangements on "High Classed", "What Went Wrong" and "Crusader"

01. A1 What’s Wrong with the Way I Live (02:01)
02. A2 Pay You Back with Interest (02:43)
03. A3 Tell Me to My Face (03:08)
04. A4 Clown (02:12)
05. A5 Suspicious Look in Your Eyes (03:35)
06. A6 It's You (02:08)
07. B1 High Classed (02:19)
08. B2 Peculiar Situation (02:53)
09. B3 What Went Wrong (02:13)
10. B4 Crusader (03:45)
11. B5 Don't Even Think About Changing (02:08)
12. B6 Stop Stop Stop (02:50)



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Quicksilver Messenger Service - What About Me (1970) (Vinyl)

Year: December 1970 (LP 1970)

Label: Capitol Records (UK), EA-ST 630 (IE 064 80722)

Style: Rock

Country: San Francisco, California, United States

Time: 45:34

Format: Flac Tracks 16/44,1 kHz

Size: 273 Mb

Quicksilver Messenger Service was one of the best bands to emerge from the Sixties Haight Ashbury - San Francisco scene. They loaded up their from-the-heart songs with free-form jamming; in gigs at classic venues like the Fillmore and Avalon, they stretched out and improvised, pushing their music in unpredictable directions. Tougher than the Grateful Dead, looser than the Jefferson Airplane, but never managing to achieve the popularity of either; they faded away after 1975. Maybe they just weren't ambitious enough. In the words of guitarist Gary Duncan, "We had no ambition toward making records, we just wanted to have fun, play some music and make enough money to be able to afford to smoke pot". Sadly, today Quicksilver Messenger Service is too often overlooked as an essential classic rock experience.
They made hippie music, simple straight forward lyrics, mostly love songs and some social commentary thrown in (from the freak point of view). QMS from Solid Silver Musically loose, plenty of rough edges, rarely over-produced, no slick singer, just a tough dual guitar attack always looking for a little open space to stretch it out as far as they could go. Their personnel sometimes changed based on who was busted on the latest pot possession rap. But the two guitar attack of John Cipollina and Gary Duncan was generally a constant. With the charismatic folk rocker Dino Valente out front, the band had its most recognizable singles "Fresh Air" and "What About Me". However there is much to enjoy in all the bands phases from the heavy jamming of the first albums, through the hits of the Valente folk pop period (spiced up by Nicky Hopkins then Michael Lewis keyboards) and finally sweet cowboyish love songs like "Gypsy Lights" and "Don't Cry My Lady Love"
Duncan, Freiberg and Lewis stretched Quicksilver into the Eighties with the the lost classic "Peace by Piece" where the band experimented with rap music and synthesized drums. Today, Gary Duncan's powerful Shape-Shifting Quicksilver pushes the live sound full circle, with long explorations of rock, jazz, pop and blues - touching back to the endless jams of the sixties at the Avalon and Fillmore.
Listen to Quicksilver, still jazzed after forty years and sounding fresher than ever.

Dino Valenti – lead vocals (except on "Won't Kill Me"), guitar, percussion

John Cipollina – guitar, percussion

Nicky Hopkins – piano (except on "What About Me", "Baby Baby", "Subway", and "Call on Me")

Gary Duncan – guitar, backing vocals, bass, percussion, organ

David Freiberg – bass, backing vocals, lead vocal on "Won't Kill Me", guitar

Greg Elmore – drums, percussion

Mark Naftalin - piano on "What About Me", "Baby Baby", and "Call on Me"

Matrix side A: EA ST1 630-1, side B: EA ST2 630-1

01. A1 What About Me (06:39)

02. A2 Local Color (02:59)

03. A3 Baby Baby (04:41)

04. A4 Won't Kill Me (02:31)

05. A5 Long Haired Lady (05:50)

06. B1 Subway (04:26)

07. B2 Spindrifter (04:35)

08. B3 Good Old Rock And Roll (02:30)

09. B4 All In My Mind (03:44)

10. B5 Call On Me (07:35)

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Uriah Heep - Look at Yourself (1971) (Vinyl)

Year: October 1971 (LP 1971)
Label: Mercury Records (USA), SRM-1-614
Style: Hard Rock
Country: London, England
Time: 41:06
Format: Flac Tracks 16/44,1 kHz
Size: 263 Mb

Review by Easy Livin (Location: Scotland)
The third album from Uriah Heep sees them taking further giant steps forward. The rhythm section is still in a state of turmoil, but the nucleus of Box/Byron/Hensley have found a solid direction, and are approaching the pinnacle of their combined creativity.
The title track has become one of the band's most enduring pieces, a solid five minute chunk of loud, infectious rock, with a wall of sound, and a breathtaking pace. The instrumental breaks are quite stunning, with Box in particular in fine form. Towards the end of the track, Bronze label-mates Osibisa add additional percussion as it increases pace before reaching a climactic conclusion. I only discovered recently, that the lead vocals on the track are performed by Ken Hensley, not David Byron, although the latter always took the lead when the song was performed live. Quite why this happened is puzzling, as the overall sound is very much as if Byron himself was singing as usual.
The album includes the epic "July Morning", with its majestic prog sound, and superb structure. The track alternates between soft and loud passages, and includes a wonderful Hammond solo followed by Byron reaching ever higher with his piercing screams. The main instrumental theme which closes the track is basically simple, but transformed by a guest appearance from Manfred Mann on synthesiser. While Hensley would later master this instrument himself, they were still somewhat rare at the time, giving the track a very progressive feel in the early 70's. A truly magnificent piece of music.
The rest of the tracks are all very strong, including the melodic ballad "What should be done", and the twin guitar lead on "Tears in my eyes".
With this album, the Uriah Heep "sound" was firmly established. The tracks have great power, while strong melodies are still very much the priority. "July morning" especially is an absolute classic.

Matrix side1: SRM-1614A-M1, side2: SRM-1614B-M1

Ken Hensley (born 24 August 1945) – Organ, piano, guitar, acoustic guitar, vocals
Mick Box (born 9 June 1947) – Lead guitar, acoustic guitar
David Byron (29 January 1947 – 28 February 1985) - Lead vocals (Except "Look at Yourself": Ken Hensley - lead vocals)
Paul Newton (born 21 February 1948) – Bass guitar
Iain Clark (20 August 1946) – Drums

01. A1 Look At Yourself (05:09)
02. A2 I Wanna Be Free (03:59)
03. A3 July Morning (10:28)
04. B1 Tears In My Eyes (04:59)
05. B2 Shadows Of Grief (08:38)
06. B3 What Should Be Done (04:13)
07. B4 Love Machine (03:37)

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Jethro Tull - Aqualung (1971) (Vinyl)

Year: 19 March 1971 (LP 1971), Recorded December 1970 – February 1971
Label: Chrysalis Records (UK), CHR 1044
Style: Art Rock
Country: Blackpool, Lancashire, England, UK
Time: 42:54
Format: Flac Tracks 16/44,1 kHz
Size: 264 Mb

Aqualung is the fourth studio album by the rock band Jethro Tull, released in 1971. It is regarded, despite the band's disagreement, as a concept album featuring a central theme of "the distinction between religion and God". The album's "dour musings on faith and religion" have marked it as "one of the most cerebral albums ever to reach millions of rock listeners". Aqualung's success signalled a turning point in the band's career, which went on to become a major radio and touring act.
Aqualung has sold more than seven million units worldwide, and is thus Jethro Tull's best-selling album. The album was generally well-received critically and has been included on several music magazine best-of lists. The album spawned two singles, "Hymn 43" and "Locomotive Breath".

01. A1 Aqualung (06:32)
02. A2 Cross-Eyed Mary (04:08)
03. A3 Cheap Day Return (01:24)
04. A4 Mother Goose (03:51)
05. A5 Wond’ring Aloud (01:53)
06. A6 Up to Me (03:15)
07. B1 My God (06:50)
08. B2 Hymn 43 (03:18)
09. B3 Slipstream (01:13)
10. B4 Locomotive Breath (04:23)
11. B5 Wind Up (06:02)

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Ray Manzarek (The Doors) - The Whole Thing Started With Rock & Roll (1974) (Vinyl)

Year: 1974 (LP 1974)
Label: Mercury Records (Canada), SRM 1-1014
Style: Rock
Country: Chicago, Illinois, U.S.
Time: 40:33
Format: Flac Tracks 16/44,1 kHz
Size: 263 Mb

Ray Manczarek (February 12, 1939 – May 20, 2013) was an American musician, singer, producer, film director, and author, best known as a member of The Doors from 1965 to 1973, which he co-founded with singer and lyricist Jim Morrison. Manzarek was notable for performing on a keyboard bass during many live shows and some recordings, taking on a role usually filled by a bass guitar player.
Manzarek recorded on every track of all eight Doors studio albums, and was inducted into the Rock and Roll Hall of Fame in 1993. He was a co-founding member of Nite City from 1977 to 1978, and of Manzarek–Krieger from 2001 until his death in 2013. USA Today defined him as "one of the best keyboardists ever."

01. A1 The Whole Thing Started With Rock And Roll (02:35)
02. A2 The Gambler (05:25)
03. A3 Whirling Dervish (05:23)
04. A4 Begin The World Again (06:38)
05. B1 I Wake Up Screaming (03:36)
06. B2 Art Deco Fandango (03:03)
07. B3 Bicentennial Blues (07:56)
08. B4 Perfumed Garden (05:53)

ClipWatching - Prelistening - Vinyl Rip Full Album: ClipWatching

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The Doors - L.A. Woman (1971) (Vinyl)

Year: April 19, 1971 (LP 1971)

Label: Elektra Records (USA), EKS-75011

Style: Classic Rock

Country: Los Angeles, California, United States

Time: 48:56

Format: Flac Tracks 16/44,1 kHz

Size: 314 Mb

L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, on Elektra Records. It is the last to feature lead singer, Jim Morrison, who died three months after the album's release.
"Love Her Madly" was released as a single in March 1971, preceding the album's release, and reached the Top 20 in the Billboard Hot 100. Upon release, the album peaked at number nine on the Billboard 200 and reached number 28 on the UK Albums Charts. The track "Riders on the Storm" also achieved chart success in the US and UK.
Critics Richie Unterberger and David Quantick have both called L.A. Woman one of the Doors' best albums, citing Morrison's vocal performance, and the band's stripped-down return to their blues rock roots.
Matrix Side 1: EKS-75011 A-2 CP, Side 2: EKS-75011 B CP

01. A1 The Changeling (04:21)
02. A2 Love Her Madly (03:20)
03. A3 Been Down So Long (04:42)
04. A4 Cars Hiss By My Window (04:13)
05. A5 L.A. Woman (07:55)
06. B1 L'America (04:38)
07. B2 Hyacinth House (03:12)
08. B3 Crawling King Snake (05:00)
09. B4 The WASP (Texas Radio And The Big Beat) (04:18)
10. B5 Riders On The Storm (07:12)

ClipWatching - Prelistening - Vinyl Rip Full Album: ClipWatching

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The Rolling Stones - Sticky Fingers (1971) (Vinyl)

Year: 23 April 1971 (LP 1992)
Label: Antrop Records (USSR), 91 00109
Style: Rock
Country: London, England, UK
Time: 46:31
Format: Flac Tracks 16/44,1 kHz
Size: 288 Mb

Sticky Fingers is the ninth British and eleventh American studio album by the English rock band The Rolling Stones, released in April 1971.
Sticky Fingers is considered one of the Rolling Stones' best albums. It achieved triple platinum certification in the US, with songs such as the chart-topping "Brown Sugar," the country ballad "Dead Flowers"[3][4], "Wild Horses," "Can't You Hear Me Knocking," and "Moonlight Mile". The original cover artwork, conceived by Andy Warhol and photographed and designed by members of his art collective, The Factory, was highly innovative, showing a sexually suggestive picture of a man in tight jeans complete with a fully working zipper that opened to reveal a pair of underwear. Owing to the damage caused by the zipper to the vinyl disc, and the expense in producing the unusual cover, later re-issues featured just the outer photograph of the jeans.
(Wikipedia)
Charts: Australia, Canada, Denmark, Norway, Spain, Sweden, West Germany, UK - number 1. France - 3, Italy - 5, Japan - 9.

01. A1 Brown Sugar (03:51)
02. A2 Sway (03:53)
03. A3 Wild Horses (05:44)
04. A4 Can't You Hear Me Knocking (07:18)
05. A5 You Gotta Move (02:32)
06. B1 Bitch (03:38)
07. B2 I Got The Blues (03:54)
08. B3 Sister Morphine (05:32)
09. B4 Dead Flowers (04:06)
10. B5 Moonlight Mile (05:57)

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Ginger Baker's Air Force - Ginger Baker's Air Force 2 (1970) (Vinyl)

Year: 10 December 1970 (LP 1970)
Label: Polydor Records (UK), 2383-029
Style: Rock
Country: London, England
Time: 34:45
Format: Flac Tracks 16/44,1 kHz
Size: 254 Mb

The band formed in late 1969 upon the disbandment of Blind Faith. The original lineup consisted of Ginger Baker on drums, Steve Winwood on organ and vocals, Ric Grech on violin and bass, Jeanette Jacobs on vocals, Denny Laine on guitar and vocals, Phil Seamen on drums, Alan White on drums, Chris Wood on tenor sax and flute, Graham Bond on alto sax, Harold McNair on tenor sax and flute, and Remi Kabaka on percussion. Their first live shows, at Birmingham Town Hall in 1969[1] and the Royal Albert Hall, in 1970, also included Eleanor Barooshian (both Jacobs and Barooshian were former members of girl group The Cake).
The band released two albums, both in 1970: Ginger Baker's Air Force and Ginger Baker's Air Force 2. The second album involved substantially different personnel from the first, with Ginger Baker and Graham Bond being the primary constants between albums.
Ginger Baker's Air Force also played a set at Wembley Stadium on 19 April 1970, during the start of the World Cup Rally, which went from London to Mexico City.
Ginger Baker's Air Force 2 was the second and final album by Ginger Baker's Air Force, released in 1970. In Germany, Australia and New Zealand it was released with a different track listing, including previously unreleased songs.
This album was recorded in a studio, unlike the previous one, featuring a different lineup of the band, with Denny Laine, Harold McNair, Aliki Ashman, and Ric Grech as "Additional personnel". Graham Bond took lead vocal duties along with Ginger Baker, Diane Stewart and Catherine James.
The album cover was designed left-handed; i.e. with the front cover printed on what traditionally would be considered the back and vice versa.
Recorded: May & October 1970 (Trident Studios, London) – September 1970 (Olympic Studios, London)
Producer: Ginger Baker, Rick Grech, Denny Laine & Graham Bond
(Wikipedia)

01. A1 Let Me Ride (04:24)
02. A2 Sweet Wine (03:38)
03. A3 Do U No Hu Yor Phrenz R (05:43)
04. A4 We Free Kings (04:30)
05. B1 I Don't Want To Go On Without You (03:57)
06. B2 Toad (08:25)
07. B3 12 Gates Of The City (04:05)

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The Scaffold (Mike McCartney) - Singles A's And B's (1982) (Vinyl)

Year: 1982 (1966-1974)

Label: See For Miles, Charly Records (UK), CM 114

Style: Classic Rock, Comedy Rock

Country: Liverpool, England

Time: 60:52

Format: Flac Tracks 16/44,1

Size: 385 Mb

The Scaffold were a comedy, poetry and music trio from Liverpool, England, consisting of musical performer Mike McGear (real name Peter Michael McCartney, the brother of Paul McCartney), poet Roger McGough and comic entertainer John Gorman.
From as early as 1962 the members of The Scaffold were part of a performing revue group known as The Liverpool One Fat Lady All Electric Show. ("One Fat Lady" is the bingo term for 8 and the performers mostly lived in the Liverpool 8 district.) McGough's fellow Liverpool poet Adrian Henri was also a founder member of this early configuration.
Working almost exclusively as a trio under the name The Scaffold from 1964, Gorman, McGear and McGough performed a mixture of comic songs, comedy sketches and the poetry of McGough (as evidenced on their 1968 live album), and they released a number of singles and albums on Parlophone and EMI between 1966 and 1971, with several more on Island, Warner Bros. and Bronze thereafter.
Their best known recording is "Lily the Pink" which topped the UK charts in 1968. The group also composed and sang the theme tune to the popular BBC TV comedy The Liver Birds, which aired from 1969–1978.
Matrix: MPO CM114 A1, MPO CM114 B1

01. A1 2 Day's Monday (1966) (02:26)
02. A2 Goodbat Nightman (1966) (02:16)
03. A3 Thank U Very Much (1967) (02:19)
04. A4 Do You Remember (1968) (02:54)
05. A5 1 2 3 (1968) (03:29)
06. A6 Lily The Pink (1968) (04:20)
07. A7 Charity Bubbles (1969) (02:40)
08. A8 Gin Gan Goolie (1969) (02:46)
09. A9 Liver Birds (1969) (02:31)
10. A10 Busdreams (1970) (02:04)
11. A11 Liverpool Lou (1974) (02:56)
12. B1 3 Blind Jellyfish (1966) (02:03)
13. B2 Ide B. The First (1967) (01:36)
14. B3 Carry On Krow (1968) (01:55)
15. B4 Today (1968) (02:46)
16. B5 Buttons Of Your Mind (1968) (03:37)
17. B6 Goose (1969) (02:41)
18. B7 All The Way Up (1970) (03:25)
19. B8 Please Sorry (1970) (02:31)
20. B9 Ten Years After On Strawberry Jam (1974) (02:56)
21. B10 Commercial Break (1971) (02:55)
22. B11 Do The Albert (1971) (03:39)

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The Pretty Things - 1967-1971 (1982) (Vinyl)

Year: 1967-1971 (LP 1982)
Label: See For Miles Records, Charly Records (UK), CM 103
Style: Rock
Country: London, England
Time: 47:42
Format: Flac Tracks 16/44,1 kHz
Size: 311 Mb

Pretty Things are an English rock band from London, who originally formed in 1963. They took their name from Willie Dixon's 1955 song "Pretty Thing". A pure rhythm and blues band in their early years, with several singles charting in the United Kingdom, they later embraced other genres such as psychedelic rock in the late 1960s (with 1968 S.F. Sorrow being one of the first rock operas).
(Wikipedia)
Matrix: CM 103 A1 MPO, CM 103 B1 MPO


01. A1 Defecting Grey (04:27)
02. A2 Mr. Evasion (03:28)
03. A3 Talkin' About The Good Times (03:37)
04. A4 Walking Through My Dreams (03:35)
05. A5 Private Sorrow (03:52)
06. A6 Balloon Burning (03:56)
07. B1 The Good Mr. Square (03:00)
08. B2 Blue Serge Blues (03:50)
09. B3 October 26 (04:52)
10. B4 Cold Stone (03:08)
11. B5 Summertime (04:26)
12. B6 Circus Mind (02:00)
13. B7 Stone Hearted Mama (03:26)

ClipWatching - Prelistening - Vinyl Rip Full Album: ClipWatching

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The Pretty Things - Silk Torpedo (1974) (Vinyl)

Year: November 1, 1974 (LP 1974)

Label: Swan Song Records (UK), SSK 59400

Style: Rhythm and Blues, Glam Rock

Country: London, England

Time: 42:12

Format: Flac Tracks 16/44,1

Size: 279 Mb

"Silk Torpedo" is the seventh album by English rock band The Pretty Things. This is their second album without Wally Waller, the group's rhythm guitarist/bassist since 1967. The album has more of a glam rock feel, a contrast from their early R&B years and their psychedelic years.

The album was the first to be released in the UK on the Swan Song Records label.

01. A1 Dream (06:46)

02. A2 Maybe You Tried (04:23)

03. A3 Atlanta (02:41)

04. A4 L A N T A (02:23)

05. A5 Is It Only Love (05:07)

06. B1 Come Home Momma (03:42)

07. B2 Bridge Of God (04:57)

08. B3 Singapore Silk Torpedo (05:13)

09. B4 Belfast Cowboys (06:56)

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Slade - Slayed (1972) (Vinyl)

Year: 1 November 1972 (LP 1972)

Label: Polydor Records (Germany), 2383 163

Style: Glam Rock

Country: Wolverhampton, Staffordshire, England

Time: 34:38

Format: Flac Tracks 16/44,1

Size: 255 Mb

Slayed? is the third studio album by the British rock group Slade. It was released on 1 November 1972 and reached No. 1 in the UK. It remained on the chart for 34 weeks and was certified Silver in early 1973. The album was also the band's most successful of the 1970s in the US, peaking at No. 69 and remaining in the charts for 26 weeks. In Australia, the album reached No. 1 and went Gold, knocking the band's live album Slade Alive! to No. 2. Slayed? was produced by Chas Chandler.


01. A1 How D'You Ride (03:12)
02. A2 The Whole World's Goin' Crazee (03:37)
03. A3 Look At Last Nite (03:06)
04. A4 I Won't Let It 'Appen Agen (03:16)
05. A5 Move Over (03:44)
06. B1 Gudbuy T'Jane (03:33)
07. B2 Gudbuy Gudbuy (03:29)
08. B3 Mama Weer All Crazee Now (03:44)
09. B4 I Don' Mind (03:08)
10. B5 Let The Good Times Roll (03:45)

ClipWatching - Prelistening - Vinyl Rip Full Album: ClipWatching

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Caravan - Cunning Stunts (1975) (Vinyl)

Year: 1975 (LP 1975)

Label: Decca Records (UK), SKL-R 5210

Style: Canterbury scene, Art Rock

Country: Canterbury, Kent, England

Time: 42:09

Format: Flac Tracks 16/44,1 kHz

Size: 268 Mb

Matrix side A: ZAL-13901-P-2W, side B: ZAL-13902-P-2W

Pye Hastings – electric guitar and acoustic guitars, vocals

Dave Sinclair – keyboards

Geoffery Richardson – viola, electric guitar

Mike Wedgwood – bass guitar, vocals

Richard Coughlan – drums

Cunning Stunts is the sixth studio album by the progressive rock band Caravan, released in 1975. It was their first album with the bass guitarist, vocalist and songwriter Mike Wedgwood. The title of the album is a spoonerism for "Stunning Cunts", which is typical of their cheeky use of language.

01. A1 The Show of Our Lives (05:47)

02. A2 Stuck in a Hole (03:10)

03. A3 Lover (05:13)

04. A4 No Backstage Pass (04:31)

05. A5 Welcome the Day (04:02)

06. B1 The Dabsong Conshirtoe (18:10)

 a) The Mad Dabsong 2:15

 b) Ben Karratt Rides Again 2:42

 c) Pro's and Con's 2:29

 d) Wraiks and Ladders 0:58

 e) Sneaking out the Bare Quare 4:25

 f) All Sorts of Unmentionable Things 5:11

07. B2 Fear and Loathing in Tollington Park Rag (01:14)

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Deep Purple - Mark I and II (1973) (Vinyl Double LP)

Year: 1973, (LP 1973)
Label: Purple Records (Germany), 1C 188-94865/66
Style: Hard Rock
Country: Hertford, Hertfordshire, England
Time: LP1 42:50, LP2 35:51
Format: Flac Tracks 16/44,1 kHz
Size: 284 Mb, 256 Mb

Mark I & II is a 1973 UK only compilation album by Deep Purple. It contains material originally released between 1968 and 1973. This double LP was released after Ian Gillan had left Deep Purple in June 1973.
This is the first album with the single A-sides "Emmaretta", "Black Night", "Strange Kind of Woman" and the B-side "When a Blind Man Cries" in the UK. "Woman from Tokyo" is the single edit and "Highway Star" is the Made in Japan live version.

Mark I:
Ritchie Blackmore – guitar
Rod Evans – vocals
Nick Simper – bass
Jon Lord – organ, keyboards
Ian Paice – drums

Mark II:
Ritchie Blackmore – guitar
Ian Gillan – vocals
Roger Glover – bass
Jon Lord – organ, keyboards
Ian Paice – drums

LP1:
01. A1 Hush (04:26)
02. A2 Mandrake Root (06:08)
03. A3 Why Didn't Rosemary (05:01)
04. A4 Hey Joe (07:24)
05. B1 Wring That Neck (05:13)
06. B2 Emmaretta (03:02)
07. B3 Help (06:00)
08. B4 Chasing Shadows (05:33)

LP2:
01. C1 Black Night (03:27)
02. C2 Speed King (05:52)
03. C3 Strange Kind of Woman (04:04)
04. C4 Into the Fire (03:33)
05. C5 When a Blind Man Cries (03:31)
06. D1 Smoke on the Water (05:42)
07. D2 Woman from Tokyo (02:46)
08. D3 Highway Star (06:52)



LP1 TurboBit

LP2 TurboBit
LP2 KatFile

Queen - Sheer Heart Attack (1974) (Vinyl)

Year: 8 November 1974, Recorded: July–September 1974 (LP 197?)

Label: EMI Records (UK), EMC 3061 OC 062 96025

Style: Rock

Country: London, England

Time: 39:18

Format: Flac Tracks 16/44,1 kHz

Size: 257 Mb

The album's first single "Killer Queen" reached number 2 in the British charts and provided them with their first top 20 hit in the U.S., peaking at number 12 on the Billboard singles chart. Sheer Heart Attack was the first Queen album to hit the U.S. top 20, peaking at number 12 in 1975. The album has been acknowledged for containing "a wealth of outstanding hard rock guitar tracks". Retrospectively, it has been listed by multiple publications as one of the band's best works and has been deemed an essential glam rock album.

(Wikipedia)

Matrix side1: yax 4881-6U TML-S 1 HHV, yax 4882-3U 2 APD

KatFile