Thursday, 17 March 2022

Rainbow - Live In Dusseldorf (Live 2xCD) (1976)

Year: 1976 (CD 12 feb 2007)
Label: Hummingbird Records (Germany), T2CD0110
Style: Hard Rock
Country: London and Los Angeles
Time: 55:25, 34:10
Format: Flac Tracks 16/44,1 kHz
Size: 345, 216 Mb
Recorded a mere two nights after the already released 'Live In Cologne', this is, remarkably, even better. The mix seems clearer and the band performances seem to have notched up a degree. In particular, the often maligned keyboards of Tony Carey seem more integral.
But on to the stars of the show. Ronnie James Dio is in fine fettle, especially on what is my new favourite version of 'Catch The Rainbow' , Cozy Powell demonstrates that he was the greatest rock drummer ever (rebuttals on a postcard to someone who cares - for goodness sake, listen to 'Man On The Silver Mountain' for proof) and the workmanlike bass of Jimmy Bain is never less than workmanlike!
And then there's Ritchie. Now I've probably heard thousands of hours of his playing including (whisper) boots of this tour but, cleaned up and polished, I'm convinced this was when he peaked. Back in the box Purpleheads, this was when the line between genius and Xmas carols was straddled with most applomb.
So, as the Cozy 1812 Overture crashes through my head again, I doff my syrup to Mr Blackmore one more time. We shall never see his like again. Absolutely essential for fans of the man, this is an hour and a half you will want to relive over and over.
review: Stuart A Hamilton, Zeitgeist, PO Box 13499, Edinburgh EH6 8YL, UK (deep-purple.net/review-files/rainbow-dusseldorf76/dusseldorf76.htm)

CD1:

01. Intro (Over the Rainbow) (02:15)
02. Kill the King (04:48)
03. Mistreated (13:41)
04. Sixteenth Century Greensleeves (07:09)
05. Catch the Rainbow (14:35)
06. Man on the Silver Mountain (12:56)

CD2:

01. Stargazer (16:03)
02. Still I'm Sad (18:06)

Rainbow76-Live-In-Dusseldorf-back Rainbow76-Live-In-Dusseldorf-backin Rainbow76-Live-In-Dusseldorf-in1 Rainbow76-Live-In-Dusseldorf-in2 Rainbow76-Live-In-Dusseldorf-in3 Rainbow76-Live-In-Dusseldorf-inback

CD1:

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CD2:

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Saturday, 12 March 2022

Joe Walsh (Eagles) - Barnstorm (1972)

Year: October 1972 (CD 1990)
Label: Mobile Fidelity Sound Lab (U.S.), MFCD 777
Style: Pop Rock, Rock
Country: Wichita, Kansas, U.S. (November 20, 1947)
Time: 38:06
Format: Flac Tracks 16/44,1 kHz
Size: 198 Mb
Charts: Billboard Pop Albums 1973 #79 (U.S.).
Full name, Joseph Fidler Walsh; born November 20, 1947, in Wichita, Kan.; raised in Cleveland, Ohio. Education: Attended Kent State University. Addresses: Record company --Warner Bros., 3300 Warner Blvd., Burbank, CA 91510.
Joe Walsh's reputation as one of rock's premiere guitar craftsmen is highly understandable when one looks at the volume of studio work he has done over the past twenty years. From B.B. King to Dan Fogelberg, from Rod Stewart to Graham Nash, countless artists have called upon Walsh's melodic playing to enhance their records. But Walsh's fame has not come primarily through the work of others. His three-year stint with the James Gang marked the beginning of a fruitful career that has seen nine solo LPs as well as three more with the Eagles in their final and most successful phase.
Born in Wichita, Kansas, in 1947, Walsh grew up in Ohio where he eventually learned to play bass guitar, performing in high school bands like the Nomads. He enrolled as a full-time student at Kent State University for three quarters before switching to part-time studies. Walsh began to work seriously on his guitar playing while at college and complemented this with courses in electronics, enabling him to perform Dr. Frankenstein-like experiments on his equipment.
Walsh joined the James Gang in 1969 (replacing Glen Schwartz), the same year the group (with Walsh handling vocals and guitar chores, Jimmy Fox on drums and Dale Peters on bass) released Yer' Album and established themselves as "the most significant post-Cream power-trio strategy," according to John Swenson in The Rolling Stone Record Guide.
The James Gang followed up their successful debut the next year with Rides Again, a Top 10 LP that included "Tend My Garden" and "Fun #49," a Walsh tour de force. In support of the record, the trio toured Europe in 1970 with the Who, a band whose members had a profound impact on the young guitarist. "Peter's [Townshend] my guru. He taught me how to play lead-rhythm, and Keith Moon taught me how to break things," Walsh told Guitar World. The influence of Pete Townshend's style on Walsh's is quite evident in the thick power chords of tunes like "Walk Away" from the James Gang's third LP, Thirds. Keith Moon's insanity would take slightly longer to show in Walsh's character, but it would become an equally identifiable trademark of the guitarist in the near future.
In 1971 the James Gang released Live in Concert, compiled from their foreign dates with the Who. Walsh capitalized on Townshend's style but found himself painted into a corner creatively. "I saw myself being stereotyped almost into a heavy metal guitarist about 10 years before heavy metal came out, and I didn't like that," Walsh told Matt Resnicoff in Guitar World. "I got extremely frustrated being the only melodic instrument."
His dissatisfaction, coupled with his distaste for the tactics involved in the record business, led to his departure from the James Gang and a move to Colorado. There he hooked up with bassist Kenny Passarelli and drummer Joe Vitale for 1972's Barnstorm and The Smoker You Drink, the Player You Get in 1973. The latter produced a Walsh classic, "Rocky Mountain Way," a stomping good-time rocker that featured an odd musical device called the "talk box," which transforms the human voice into a synthesized-sounding musical instrument. Rocke Grace and Joe Lala were added on keyboards and percussion for the album.
Walsh's heavy sustain and nasty slide work may have seemed groundbreaking, but were actually just a natural progression. "I'm a third-generation blues studier, and that's why I sound like I do," Walsh told Guitar World. "I studied the blues through white English guys!" However, unlike his mentors Eric Clapton, Peter Green, and Mick Taylor, Walsh was not restricted to just the guitar. "I hear a lot of tones and textures and such," he told Jas Obrecht in Guitar Player. "I know I'm known mostly for my guitar work, but in terms of being a musician, there are other vehicles that I am quite capable of playing, and sometimes that ain't guitar. The song tells me what to play."
Soon Walsh's talented ear and tasteful playing were popping up on other musicians' work, making him one of the most in-demand non-studio players. In later years his searing guitar would be heard on Steve Winwood's "Split Decision" and Richard Marx's "Don't Mean Nothin'," both top hits thanks to Walsh's creative slide. "I like to accept the energy involved in that first pass," Walsh said in Guitar World of his recording technique, "that's really where the magic is."
With a successful solo career well at hand, and enough choice studio dates to keep any musician rich and happy, Walsh was recruited by the Eagles to replace guitarist Bernie Leadon in 1976. "I got asked to join the Eagles as a specialist, because they wanted some humor," he told Guitar World. "They were taking everything too seriously.... My job was to keep everybody laughing, or at least keep the band from breaking up." Walsh accomplished more than that at first for the Eagles. His initial flight with the band, the Grammy-winning album Hotel California, soared up the charts in 1976 to the Number 1 spot. The title track featured an incredible guitar jam, while "Life in the Fast Lane" and "New Kid in Town" were hot-selling singles.
Walsh continued his solo recordings with the live You Can't Argue With a Sick Mind in 1976 and But Seriously Folks in 1978, which included "Life's Been Good," a Number 12 single that struck right to the heart of the rock and roll lifestyle. "I think it might have been a little too close to the truth," Walsh confessed in Guitar World, "and I didn't want to overextend my sense of humor to the public." The zany guitarist even took a shot at running for president after the song became so popular.
In 1979 Walsh was back in the studio with the Eagles working on The Long Run, an impressive LP that featured a fine title track and the funky "Those Shoes." The inner turmoil of the group and the usual music corporation hassles eventually led to the breakup of the Eagles following the release of a live album a short while later. Even if Walsh couldn't keep the band from folding, he inspired them to record some of their finest, and certainly their most successful, music. "We were a damn good band for a while," Walsh stated in Guitar Player. "I'm proud of having been a part of that and Hotel California. Besides the royalties and everything, just the fact that was a special album for a lot of people on the planet. I feel that I was part of a true band, and that we made a very valid musical statement for the generation that we represent."
Walsh went back to a three-piece format with Joe Vitale on an LP by John Entwistle, bassist for the Who. In 1985 he released Confessor, "the apologia of a strictly raised mid-western episcopalian after living in rock and roll sin for 'Fifteen Years' on the road," wrote Bruce Malamut in Guitar World. "The balance ... is a sober retrospective from rock's own Harpo Marx."
Joe Walsh's Career:
Played bass guitar in local bands while in high school in Cleveland, including the Nomads; began playing lead guitar while in college; lead guitarist for the James Gang, 1966-71; solo artist, 1971--; member of the Eagles, 1976-82; has performed as featured guitarist on numerous albums.
Joe Walsh's Awards:
Co-winner (as member of the Eagles) of three Grammy Awards, including record of the year, 1977, for Hotel California.
(musicianguide.com/biographies/1608000783/Joe-Walsh.html)

01. Here We Go (04:59)
02. Midnight Visitor (03:16)
03. One And One (01:15)
04. Giant Bohemoth (04:19)
05. Mother Says (06:27)
06. Birdcall Morning (03:43)
07. Home (02:53)
08. I'll Tell The World (03:56)
09. Turn To Stone (05:20)
10. Comin' Down (01:53)

Joe-Walsh72-Barnstorm-01 Joe-Walsh72-Barnstorm-02 Joe-Walsh72-Barnstorm-03 Joe-Walsh72-Barnstorm-04 Joe-Walsh72-Barnstorm-05 Joe-Walsh72-Barnstorm-back

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Colin Blunstone (The Zombies) - Planes (1977) Never Even Thought (1978) (2LP on 1CD)

Year: 1977 / 1978 (CD 2015)
Label: Cherry Red Records (UK), CDMRED665
Style: Pop
Country: Hatfield, Hertfordshire, England, UK (24 June 1945)
Time: 73:39
Format: Flac Tracks 16/44,1 kHz
Size: 518 Mb
Colin Edward Michael Blunstone (born 24 June 1945) is an English singer, songwriter and musician. In a career spanning more than 50 years, Blunstone came to prominence in the mid-1960s as the lead singer of the English rock band the Zombies, which released four singles that entered the Top 75 charts in the United States during the 1960s, including "She's Not There", "Tell Her No", "She's Coming Home", and "Time of the Season". Blunstone began his solo career in 1969, releasing three singles under a pseudonym of Neil MacArthur. Since then, he has released ten studio albums under his real name. He appears on several albums with the Alan Parsons Project and sang "Old and Wise".
In 2019, Blunstone was inducted into the Rock and Roll Hall of Fame as part of The Zombies.
(en.wikipedia.org/wiki/Colin_Blunstone)

Colin Blunstone was born on June 24, 1945 in Hatfield, Hertfordshire, England.
Like many musicians, Colin would start by playing in a garage band. However, it would be a band that would become a household name. Colin said, "The Zombies were a school band, even though the guys in the band came from two different schools in St. Albans, which is next door to Hatfield."
In 1964, The Zombies released their first album in the US on the Parrot record label, and the album would launch them into the Top 10 in America. "She's Not There" peaked at number two on Billboard (and number one in Cashbox), while "Tell Her No" climbed to number six. 1965 would lead them to record the soundtrack for the movie "Bunny Lake Is Missing". "Odessey and Oracle" (with the hit "Time Of The Season") would be released in 1968, and mark the end of The Zombies.
After The Zombies, Colin worked briefly in insurance before deciding to re-enter the music industry. In 1971 Colin returned by releasing the album "One Year". Other albums would follow, including: "Ennismore" (1972), "Journey" (1974), and "Planes" (1976).
In the late seventies, Colin also began to make appearances on other artist’s records, including Mae McKenna's "Walk On Water" (1977), Mike Batt's "Tarot Suite" (1978), and The Alan Parsons Project "Pyramid" (1977). He would record with Alan Parsons a number of times, including the classic track "Old and Wise".
In 1984 Colin and other members of The Project joined together to form the band Keats. They only released the one self-titled album, which including the song (and video) "Turn Your Heart Around".
In the 1990s, Colin has done everything from making music for commercials, to releasing new solo albums (including "Echo Bridge"), and performing on Steve Hackett's "Watcher of The Skies: Genesis Revisited" album.
More recently Colin has released his latest solo album: "Out of the Shadows". He has also been busy touring – sometimes with his old Zombies’ bandmate Rod Argent.
(theavenueonline.info/site1/bios/colin.htm)

Planes (1977)

01. Beautiful You (03:11)
02. Planes (03:58)
03. Since I've Been Loving You (04:28)
04. Ain't It Funny (02:49)
05. Only With You (03:30)
06. I Can Almost See The Light (03:54)
07. Good Guys Don't Always Win (03:39)
08. Loving And Free (03:54)
09. Dancing In The Dark (02:02)
10. It's Hard To Say Goodbye (03:13)
11. (Care Of) Cell (03:17)
12. Tell Me How (02:09)

Never Even Thought (1978)

13. I'll Never Forget You (03:27)
14. Lovelight (03:40)
15. Ain't It Funny (03:27)
16. Who That Knocking (02:29)
17. Never Even Thought (05:20)
18. Touch And Go (03:17)
19. Yoy Are The Way For Me (03:17)
20. Photograph (04:03)
21. Do Magnolia Do (04:25)

Colin-Blunstone1977-1978-01 Colin-Blunstone1977-1978-02 Colin-Blunstone1977-1978-03 Colin-Blunstone1977-1978-04 Colin-Blunstone1977-1978-back Colin-Blunstone1977-1978-back-in

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Thursday, 10 March 2022

Humble Pie - As Safe As Yesterday Is [Japan Edition] (1969)

Year: 1 August 1969 (CD Sep 6, 2006)
Label: Victor Records (Japan), VICP-63557
Style: Blues Rock, Classic Rock, Hard Rock
Country: Moreton, Essex, England, UK
Time: 55:51
Format: Flac Tracks 16/44,1 kHz
Size: 404 Mb
Humble Pie was a British band formed in 1968 by guitarist and vocalist Steve Marriott of the Small Faces and virtuoso guitarist Peter Frampton, who had just climbed the charts with his band The Herd (From The Underworld, Paradise Lost, I Don't Want Our Loving To Die). They debuted in the year of Led Zeppelin with the hard-rocking As Safe As Yesterday (Immediate, 1969) and Town And Country (Immediate, 1969), the latter containing Natural Born Boogie. The dual guitar attack was quite disappointing. Humble Pie (A&M, 1970) and Rock On (A&M, 1971) offered a more mature sound, closer in spirit and execution to American southern-rock than to British hard-rock.
(scaruffi.com/vol2/humblepi.html)

The tragic story of Steve Marriott death:
Steve Marriott was one of the greatest rock and roll voices, the legendary singer that was the frontman of Small Faces and Humble Pie gave us amazing interpretations that are amazing to hear until this day. But unfortunately, his life had a tragic ending in 1991.
Back in April 19 1991, the musician and his third wife was Toni Poulton flew home from the United States, where Marriott had recorded songs for a future album with Frampton to England. During the flight, according Marriott’s wife he was drinking heavily, was in a bad mood what made the two argue. When they arrived in England, they went out for dinner with a friend and made Marriott drink more.
After dinner, they returned to their friend’s house and decided to stay overnight, since it was late, but upstairs in bed, Marriott and Poulton continued to argue. Poulton finally fell asleep and later woke to discover that Marriott had taken a taxi to his home in the nearby village of Arkesden.
At 6:30 am on April 20, a driver saw the roof of Marriott’s cottage on fire and called the fire brigade. Assistant Divisional Fire Officer Keith Dunatis, who found Marriott talked about it saying: “It was a tough fight getting upstairs. We searched the bedroom areas and it was very hot, we knew immediately that no-one could have survived the fire. We began to feel around the walls and discovered him lying on the floor between the bed and the wall. I would say he had been in bed and tried to escape. As soon as I saw the body clearly I knew who it was. I used to be a fan, it’s difficult to put my feelings into words. The scene was horrific in that corner of the room. I saw him lying there and thought what a pity it all was. I deal with many fires but this one was like walking down memory lane. We managed to salvage all his guitars and musical equipment. I feel a bit upset, all the firemen do. It was like seeing part of our lives gone forever.”
The police said the fire might have been started by a cigarette in the main bedroom of Mr. Marriott’s 16th-century cottage in Essex.
(rockandrollgarage.com/the-tragic-story-of-steve-marriott-death/)

01. Desperation (06:28)
02. Stick Shift (02:22)
03. Butter Milk Boy (04:22)
04. Growing Closer (03:13)
05. As Safe As Yesterday Is (06:06)
06. Bang! (03:24)
07. Alabama '69 (04:37)
08. I'll Go Alone (06:17)
09. A Nifty Little Number Like You (06:11)
10. What You Will (04:20)
11. Natural Born Bugie (04:12)
12. Wrist Job (04:14)

Humble-Pie69-As-Safe-As-Insert-01 Humble-Pie69-As-Safe-As-Insert-02 Humble-Pie69-As-Safe-As-back Humble-Pie69-As-Safe-As-front Humble-Pie69-As-Safe-As-front-obi

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Frijid Pink - Frijid Pink (1970)

Year: January 1970, (CD 2005)
Label: Repertoire Records (Europe), REP 5057
Style: Hard Rock, Blues Rock, Psychedelic Rock
Country: Brighton, Michigan, U.S.
Time: 57:02
Format: Flac Tracks 16/44,1 kHz
Size: 328 Mb
Who is Frijid Pink?
Frijid Pink is an American psychedelic/blues rock, formed in 1967. Their first two singles on Parrot label went unnoticed, but their third single, a cover of the Animals’ “House Of The Rising Sun” – broke into the Top 10 in 1970. Their self-titled debut was a Top 20 hit on the Billboard 200 chart that same year; their second album Defrosted was also released later. However, following singles such as “Sing A Song For Freedom” and “Heartbreak Hotel” were minor hits. They released Earth Omen in 1972, and after a long hiatus, Frijid Pink returned to the studio to record their final album All Pink Inside before disbanding in 1975. The group re-formed in the 21st century, continuing performing and recording.
The Detroit rockers Frijid Pink:
Frijid Pink is an American rock band formed in Detroit, Michigan in 1967. The original line-up of the group comprised of singer Kelly Green (the stage name of Thomas Beaudry), guitarist Gary Ray Thompson, keyboardist Larry Zelanka, bass guitarist Tom Harris and drummer Richard Stevers
The group played various forms of rock music including acid rock, blues rock, psychedelic rock, hard rock and progressive rock.
First and only major hit with “The House of the Rising Sun”:
The group spent their first two years touring and performing around Detroit and Southeast Michigan area before inking a contract with Parrot label in 1969. Their first two singles (also released that same year) “Tell Me Why” and “Drivin’ Blues” failed to generate much notice. However, their third single - a distorted, guitar-driven rendition of the Animals’ “The House of the Rising Sun” - broke into the Billboard Hot 100’s Top 10, peaking at #7.
The single sold over a million copies, guaranteeing it a “gold” disc status. “The House of the Rising Sun” was an even bigger hit on the British chart at #4, and on the Canadian chart at #3.
The hit single was included on the group’s self-titled debut album, which also became a big smash. Released in 1970, Frijid Pink LP reaching #11 on the Billboard 200 album chart.
Frijid Pink became so wildly popular especially in their hometown Detroit that a newcomer British rock band by the name of Led Zeppelin opened for them, at the city’s Grande Ballroom. Frijid Pink often shared top billing with other local acts such as the Amboy Dukes, MC5, and the Stooges.
The group’s LP Defrosted was also released in 1970, and went to #149 on the Billboard 200 album chart. Most of the album’s tracks were written by Beaudry and Thomspon.
However, following singles such as “Sing a Song for Freedom” (#55, Hot 100) and their cover of Elvis Presley’s “Heartbreak Hotel” (#72, Hot 100) didn’t quite match the success of their first single. Beaudry and Thompson left, and new members David Alexander and (later) new singer Jon Wearing joined the fold. This new roster recorded and released Earth Omen on Lion label in 1972.
Frijd Pink’s disbandment:
After that album, the group didn’t re-enter the studio until 1975 when another wave of new members (vocalist Jo Baker and bassist Larry Poplizio) joined Frijid Pink to record their last released studio album All Pink Inside (on Fantasy label in 1975). Soon after the album was issued, Frijid Pink disbanded.
Frijid Pink’s re-activity in the 21st century:
In 2002, the band re-formed (but no old members were present) and recorded one more album Inner Heat, which still remains unreleased. Three years later the group formed once again, retaining most of its original members - Stevers, Harris and Beaudry, with new guitarist Steve Dansby (of Cactus) and keyboardist Larin Michaels.
However, this lineup dissolved by late 2006. Stevers started to launch auditions for new Frijid Pink members. The recent lineup did local gigs and eventually returned to the studio, in an attempt to record another album. In 2011 that album was eventually released in the US as an import, featuring re-recorded versions of the band’s old tracks as well as new music. Frijid Pink has continued doing studio work, while its lineup has been continually fluctuating.
(mentalitch.com/frijid-pink-the-house-of-the-rising-sun/)

01. God Gave Me You (03:34)
02. Crying Shame (03:12)
03. I'm On My Way (04:35)
04. Drivin' Blues (03:15)
05. Tell Me Why (02:52)
06. End Of The Line (04:08)
07. House Of The Rising Sun (04:44)
08. I Want To Be Your Lover (07:32)
09. Boozin' Blues (06:03)
10. Heartbreak Hotel (Bonus Track) (02:51)
11. Music For The People (Bonus Track) (02:59)
12. House Of The Rising Sun (Single Edit) (Bonus Track) (03:56)
13. Sing A Song For Freedom (Mono Single Mix) (Bonus Track) (03:04)
14. End Of The Line (Mono Single Mix) (Bonus Track) (04:08)

Frijid-Pink70-Frijid-Pink-03 Frijid-Pink70-Frijid-Pink-04 Frijid-Pink70-Frijid-Pink-05 Frijid-Pink70-Frijid-Pink-07 Frijid-Pink70-Frijid-Pink-08 Frijid-Pink70-Frijid-Pink-09

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Wednesday, 9 March 2022

Vinegar - Vinegar (1971)

Year: 1971 (CD 2003)
Label: Garden Of Delights (Germany), CD 091
Style: Krautrock, Prog Rock
Country: Cologne, Germany
Time: 37:18
Format: Flac Tracks 16/44,1 kHz
Size: 201 Mb
 
VINEGAR is a psychedelic rock band from Germany formed by Wolfgang Grahn, Bernhard Liesegang and Jochen Biemann. The three men attended school together, but it wasn't until they were in the university that the idea of forming a band had becomed more concrete. After some time playing together, they added a new member, Dagmar Dormagen (who was a very close friend of Wolfgang and lived just around the corner from his house) to sing in the band. By the end of 1969 Rolf Zwirner and Ralf Modrow joined the group and the line-up was established. They named their band VINEGAR because they wanted to make music that was "hard to digest" as opposed to the "sweet stuff" others played. The band split after the recording of their first album because of musical differences.
VINEGAR made one recording only in 1971. Their sound ranges from rocking guitar riffs to soft violin passages and haunting organ passages as well. There are songs that also consist of jams, but the overall sound is more structured. In some parts of their songs they can be compared to AMON DUUL II or PINK FLOYD.
Recommended for fans of Krautrock, psychedelic/ space rock fans who are looking for a little bit more hard rock in their music.
Why this band must be listed in www.progarchives.com:
They are one of the bands that came out of the Kraurock movement like CAN, FAUST, AMON DUUL II and many others.
(progarchives.com/artist.asp?id=2308)

01. Missi Solis (12:27)
02. Sawmill (Teil 1) (05:24)
03. Sawmill (Teil 2) (05:10)
04. Der Kaiser Auf Der Erbse (07:07)
05. Fleisch (07:08)

Vinegar71-Vinegar-04 Vinegar71-Vinegar-05 Vinegar71-Vinegar-06 Vinegar71-Vinegar-07 Vinegar71-Vinegar-08 Vinegar71-Vinegar-09

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Monday, 7 March 2022

Joe Walsh - Ordinary Average Guy (1991) Songs For A Dying Planet (1992) (Box Set 2CD)

Year: 1991 / 1002 (CD 2012)
Label: Floating World / Retro World (Europe), FLOATM6164
Style: Pop Rock, Rock
Country: Wichita, Kansas, U.S. (November 20, 1947)
Time: 45:57, 48:45
Format: Flac Tracks 16/44,1 kHz
Size: 286, 300 Mb
Joseph Fidler Walsh was born on November 20, 1947 in Wichita, Kansas, but in his youth he lived in Columbus, Ohio and then later New York City and Montclair, New Jersey. He attended college at Ohio's Kent State University, where he first joined the group the James Gang in 1968. At that time, the James Gang consisted of Walsh on guitar and vocals, Jim Fox on drums, and Tom Kriss on bass in a power trio form. They released their first album, Yer' Album, in 1969. Afterwards, Kriss left the band and was replaced by Dale Peters, creating the most successful incarnation of the James Gang. Walsh's dynamic and creative playing featuring his famously catchy guitar riffs made the band memorable. Their next two albums, James Gang Rides Again (1970) and Thirds (1971), produced such classics as Funk #49 and Walk Away. While the power trio format worked well for the James Gang, Walsh was beginning to become dissatisfied with its limitations. After the release of James Gang Live in Concert in 1971, Walsh left the band to pursue a solo career.
Not quite ready to leave the band format entirely, however, he called himself and his two core backing band members Kenny Passarelli and Joe Vitale "Barnstorm" and released an album of the same name. Passerelli and Vitale would also be the core backing band members for The Smoker You Drink, the Player You Get (1973). While the albums were categorized by many as solo efforts, the three men functioned as a unit, and even played together on Friends and Legends by Michael Stanley. Even after Barnstorm broke up, Vitale continued to be a collaborator and friend of Walsh. Their most famous collaboration is the magnificent Pretty Maids All in a Row which appeared on the Eagles' Hotel California (1976).
Walsh made a name for himself as a solo artist with the hit Rocky Mountain Way off of The Smoker You Drink, the Player You Get (1973). The song was inspired by Walsh's move to Colorado with his wife Stephanie and small child Emma Kristen. Tragically, Emma was killed in a car accident in 1974 while on her way to nursery school, an event which haunts Walsh to this day. He had a small drinking fountain built in her memory in her favorite park in Boulder, denoted by a simple plaque. His next album, So What (1974), contained a tribute to her entitled Song for Emma. He has said that even the album name was a result of Emma's death - that nothing else seemed meaningful or important in the months that followed. The strain would eventually contribute to Walsh's divorce from his second wife Stephanie (Walsh had already been briefly married in the sixties to a lady named Margie).
Unable to enjoy Colorado anymore, he moved back to L.A. He released a live album called You Can't Argue with a Sick Mind in 1976, but by that time he was tired of working alone and was looking for a band to join. He found it in the Eagles, who had just lost their main guitarist Bernie Leadon to creative differences. Once on board, he helped the Eagles craft their most famous album Hotel California which was released later that year. Adding a more rock-oriented edge to the Eagles in the place of Leadon's more country-flavored style, his contributions to the guitarwork of the title track and the famous riffs of Life in the Fast Lane are especially notable.
Walsh's tenure with the Eagles did not preclude him from releasing more work as a solo artist at the same time. The Eagles' slow pace making The Long Run (1979) was convenient in this aspect. He had time to release But Seriously Folks (1978) which produced his famous satire on rock stars, Life's Been Good. He also wrote In the City for the Warriors soundtrack, a song which would later appear on The Long Run.
All was not well within the ranks of the Eagles, however. Walsh's dissatisfaction with the heavy-handedness of Glenn Frey and Don Henley when it came to creative decisions led him to go so far as to discuss forming another band with bassist Randy Meisner and co-lead guitarist Don Felder (his seriousness here is debatable; when Meisner left and tried to pursue the idea, Walsh definitely wanted to stay with the Eagles). Regardless, the discord in the band led to tensions and hostility so pronounced that Henley was to call Walsh an "insidious troublemaker." The amount of alcohol and drugs circulating didn't help much either; Walsh had developed a drinking problem that he wouldn't be able to shake until the nineties, and the amount of money that some of the band members were snorting up their noses would have been enough to buy a small country.
It reached the breaking point when Felder and Frey got into a confrontation at a benefit show in 1980. Frey called it quits and the band broke up. Interestingly enough, Walsh seemed to think they were only on hiatus. He told an interviewer in 1981 that they weren't broken up but were just taking a break for solo careers. He stated that the band would no doubt get together again in a bit to record once more. While his hopes were dashed by the official announcement of the Eagles' breakup in 1982, ironically, he turned out to be right in the long run!
In the eighties, Walsh released the solo albums There Goes the Neighborhood (1981), You Bought It - You Name It (1983), The Confessor (1985), and Got Any Gum (1987). He also got married a third time and fathered a daughter, Lucy, who has entered the music business herself as a singer/pianist/songwriter. After that marriage failed, he was involved with Stevie Nicks for a brief period; Stevie wrote "Has Anyone Ever Written Anything for You" for Walsh.
In 1989, he went on tour as a member of Ringo Starr's All-Starr Band, a collection of former solo musicians that toured together, each one playing a couple songs. These "all-starrs" included musicians like Nils Lofgren and Billy Preston. (He was to tour with the band again in 1992, this time joined by former and future Eagles bandmate Timothy B. Schmit). He also recorded an MTV Unplugged in 1989. Despite these positives, a brief attempt to reunite the Eagles in 1990 failed largely due to Frey's disapproval of the lifestyles of Walsh as well as Henley, and Walsh became discouraged. By 1991, he was even telling interviewers that he didn't care about his albums anymore when "promoting" Ordinary Average Guy (1991). His alcoholism was just as bad as ever, if not worse, and it had gotten to the point where he couldn't even remember the words to his songs half the time in his 1991 concerts opening for the Doobie Brothers. His 1992 album Songs for a Dying Planet quickly slid into obscurity.
In 1993, though, things started looking up. Walsh and Frey mended fences and toured together briefly as the "Party of Two." To this day, the Party of Two occasionally resurfaces for corporate gigs and even a public gig once in a blue moon.
Then, the Travis Tritt video for Take It Easy that same year sparked the famous Hell Freezes Over reunion in 1994. The reunion had a condition that Walsh couldn't ignore: Frey demanded that everyone be sober. Finally, Walsh was able to kick the habit that had plagued him for so many years. (In 2005, Walsh's struggle was the inspiration for his song One Day at a Time, and he has appeared at functions to inspire recovering alchoholics many times. Walsh has speculated that his addiction may have been triggered by "self-medicating" for his ADD). The MTV special, album, and tour were wildly successful, thrusting Walsh into the spotlight once again as he proved to audiences that he had not lost it - that he was in fact better than ever.
The upswing continued when a few years later, Walsh married a fourth time to a lady named Denise. While the marriage is now over, she gave him two sons. Additionally, in 1998, he joined the rest of the Eagles as an inductee into the Rock'n'Roll Hall of Fame, and in 2001 he received an honorary doctorate from Kent State University.
The Eagles toured off and on from 1999-2006, promoting greatest hits packages and a live DVD called Farewell 1 (2005), before releasing what was to be their last new album.
In 2007, they released the long-awaited Long Road Out of Eden. This album included the Walsh/JD Souther song "Last Good Time in Town," as well as Walsh's cover of the Frankie Miller song "Guilty of the Crime." They toured extensively for this as well.
Despite the busy schedule of the Eagles, Walsh found time for projects of his own. In 2006, his old band the James Gang reunited for a short tour. Walsh also conducted a brief solo tour in the summer of 2007. On a personal note, he married once again; his current wife is Marjorie Bach, sister-in-law to Ringo Starr. With her encouragement, he released his first solo album in twenty years: Analog Man (2012). He engaged in a tour to promote the album, including filming a special CMT Crossroads, in between Eagles tour stops.
In 2013, the Eagles releaed a documentary called History of the Eagles and toured for two years, playing all over the world. Then, in 2016, Glenn Frey tragically died at the age of 67. Everyone thought the Eagles were finished without their leader and co-founded. Even Don Henley said so.
However, Henley changed his mind, and in 2017 Joe Walsh was called upon to join a new Eagles which would now find Glenn's son Deacon and Vince Gill on stage beside him. How long the band will continue like this remains to be seen.
Last updated July 19, 2017 (joewalshonline.com/biography.htm)

CD1: Ordinary Average Guy (1991)

01. Two Sides To Every Story (03:23)
02. Ordinary Average Guy (04:11)
03. The Gamma Goochee (02:48)
04. All Of A Sudden (04:56)
05. Alphabetical Order (04:58)
06. Look At Us Now (04:46)
07. I'm Actin' Different (04:30)
08. Up All Night (03:54)
09. You Might Need Somebody (04:31)
10. Where I Grew Up (Prelude To School Days) (02:37)
11. School Days (05:18)

CD2: Songs For A Dying Planet (1992)

01. Shut Up (03:19)
02. Fairbanks Alaska (03:27)
03. Coyote Love (04:43)
04. I Know (01:45)
05. Certain Situations (04:34)
06. Vote For Me (04:21)
07. Theme From Baroque Weirdos (01:33)
08. The Friend Song (03:33)
09. It's All Right (03:25)
10. Wil You Still Love Me Tomorrow (03:58)
11. Decades (12:02)
12. Song For A Dying Planet (02:00)

Joe-Walsh91-Ordinary92-Songs-For-A-01 Joe-Walsh91-Ordinary92-Songs-For-A-02 Joe-Walsh91-Ordinary92-Songs-For-A-03 Joe-Walsh91-Ordinary92-Songs-For-A-04 Joe-Walsh91-Ordinary92-Songs-For-A-back Joe-Walsh91-Ordinary92-Songs-For-A-back-in

CD1: Ordinary Average Guy (1991)

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CD2: Songs For A Dying Planet (1992)

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The Cates Gang - Wanted (1970)

Year: 1970 (CD ????)
Label: Metromedia Records (????), MD 1029, XSV222269
Style: Country Rock, Soul, Folk Rock
Country: Fayetteville, Washington County, U.S.
Time: 27:00
Format: Flac Tracks 16/44,1 kHz
Size: 164 Mb

The Cates were born in Fayetteville (Washington County) in 1942 and grew up in Springdale (Washington County). Although not born to a musical family, the Cates taught themselves how to play and were heavily influenced during their teenage years by Hawkins, whose ever-changing band, the Hawks, was at that time composed of the personnel who eventually became famous as Bob Dylan backup ensemble, the Band: pianist Richard Manuel, keyboardist Garth Hudson, drummer Levon Helm, and guitarist Robbie Robertson.
The northwest Arkansas musical enclave was a diverse one, however, and the Cates heard not only renowned touring rock musicians but also worked with such local stars as vocalist Ken Owens while competing with Hawkins and Tolleson for a tough, knowledgeable regional audience. The Cates band was originally called the Del-Reys, and they sang Everly Brothers style harmonies when they were young, before they developed their own vocal persona. Earl plays the guitar, while Ernie plays keyboard.
The Cates have remained close to the northwest Arkansas club and festival activities, which revolve around the University of Arkansas (UA) in Fayetteville and have expanded to accommodate the booming regional commercial developments related to the growth of Wal-Mart, Tyson Foods, and J. B. Hunt.
But the Cates are also true to their musical roots in that theirs is a country soul unit, and they are masters of a kind of rhythmic eclecticism that is native to the cultural territory from which it emerged, bounded generationally by Bob Wills western swing and the Band blend of hillbilly simplicity and blues depth and incorporating both styles into their The Cates association with Helm resulted in Helm performing with the Gates after he temporarily dropped out of Bob Dylan wildly controversial international (and extensively documented) electric tour in the mid-1960s.
Earl and Ernie Cate, (as The Cates Gang) released two albums in the 70's-Wanted (1972) and Come Back Home (1973). Both of them were excellent singer songwriters and influenced rock 'n' roll, country and soul music. Later, they became Cate Bros and eventually signed with Asylum in the mid 70s where they released four albums. Both 'Wanted' and 'Come Back Home' are considered as the best swamp rock albums deeply inspired by soul and R’n’B.
In 1975, the Cates released two more albums on the Asylum label (a powerful force in rock music at the time and one with which Helm had professional contacts), Cate Bros. Band and In One Eye and Out the Other, which led to the Gates touring nationally themselves. Asylum also released The Cate Brothers Band in 1977.
The Cate Brothers Band earned the group critical acclaim for its distinctive sound and a solid reputation for expert musicianship. The album was produced by legendary Memphis guitarist Steve Cropper, a member of Booker T. and the MG's and a mainstay of the celebrated Stax label throughout the company 1960s heyday.
(rockasteria.blogspot.com/2013/12/the-cates-gang-come-back-home-1973-us.html)

01. We All Got To Help Each Other (02:34)
02. God Gave Me A Woman (02:34)
03. Song Man (02:22)
04. Leavin' This Town (02:59)
05. Lead Me Anywhere (02:36)
06. When Will We Learn (02:16)
07. I'll Take You Back Again (01:51)
08. What's The Use In Lovin' You (02:29)
09. I've Made Up My Mind (02:38)
10. Help Me Work It Out, Woman (02:22)
11. If You Got The Time (I Got The Love) (02:13)

Cates-Gang70-Wanted-front Cates-Gang70-Wanted-in Cates-Gang70-Wanted-Inner-Poster

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