Label: Karussell Records (Europe), 552117-2
Style: Oldies, Funk, Soul
Country: Detroit, Michigan, U.S. (1957–1972)
Time: 46:14
Format: Flac Tracks 16/44,1 kHz
Size: 286 Mb
One of Motown Records' earliest and most exciting vocal groups, Martha and The Vandellas achieved two Top Ten hits before the ascendancy of The Supremes. Driven by Martha Reeves' soulful, brassy lead vocals, the Vandellas became Motown's earthier, more aggressive "girl group" alternative to the Supremes.
Martha Reeves, one of eleven children, was born in Eufaula Alabama on July 18, 1941. She moved with her parents Ruby and Elijah to Detroit, Michigan before her first birthday. Reeves spent most of her childhood singing and working in her grandfather's church. She attended Russell Elementary on Detroit's eastside and was taught vocals by Emily Wagstaff. Northeastern High School was where she studied voice under the direction of Abraham Silver, who also coached Florence Ballard and Mary Wilson of the Supremes, Bobby Rogers of the Miracles.
After graduating from high school in 1959, Reeves joined the girl group called the Fascinations. They recorded their first record about 1960, backing Mike Hanks on "The Hawk" on Mah's Records. They also backed Leon Peterson on "I Know You Know" on the Bobbin label in 1962. Their first big break was working with local singer J.J. Barnes on "Won't You Let Me Know." The 1962 single on Rich Records credited both Barnes and the Del-Phis and led to the answer record "Ill Let You Know" on Check-Mate. In the late summer of 1960 Reeves met Rosalind Ashford and they were invited to join Annette Sterling and Gloria Williamson in the Del-Phis. After doing some local talent shows and jobs they recorded a single on Chess-Mate Records, a subsidiary of Chess Records in 1961. The Del-Phi"s recording that didn't make the charts was "My Baby Won't Come Back".
Reeves as a solo entered and won a talent contest. The prize was a three day engagement at the Twenty Grand, a local nightclub where she sang as Martha LaVaille. On her last night, William "Mickey" Stevenson, an A&R and Berry Gordy's right-hand man at Motown Records, approached Reeves, after hearing her sing, and gave her his card. In 1961 Reeves was hired as his secretary. One day Motown head Berry Gordy needed background singers in short order for a session; Reeves and her friends, Ashford and Beard, were called in. They sang behind Marvin Gaye on "Stubborn Kind of Fellow," his first hit in 1962 and "Hitch Hike."
A couple months later, Reeves again found her self in the right place at the right time. Stevenson had called over to the studio, where a union rep was checking to make sure the label was following the rule that a singer had to be on a mic when tracks were recorded. In Mary Well's absence, Reeves sang "I'll Have To Let Him Go, impressing Stevenson enough ask the Del-Phis to record "You'll Never Cherish A Love So True ('Til You Lose It)." The session was a success, but Gloria decided she didn't want to leave her job and left the group. The single was issued anyway on Mel-O-Dy as by the Vells.
The rest of the group convinced Gordy that they were staying as a trio. Gordy then asked the girls to come up with a new name. They then called themselves Martha and the Vandellas, taking their name from Detroit street Van Dyke and Reeve's favorite singer Della Reese before recording "I'll Have to Let Him Go."
(Full version: history-of-rock.com/vandellas.htm)
01. Dancing In The Street (02:39)
02. Third Finger, Left Hand (02:47)
03. Jimmy Mack (02:53)
04. I'll Have To Let Him Go (02:50)
05. There He Is (At My Door) (02:33)
06. Hitch Hike (02:30)
07. Moments (To Remember) (02:34)
08. (Love Is Like A) Heatwave (02:47)
09. Hello Stranger (02:41)
10. In My Lonely Room (02:25)
11. Wait Till My Bobby Gets Home (02:18)
12. The Jerk (02:15)
13. Dance Party (02:21)
14. Motoring (02:47)
15. Dancing Slow (02:14)
16. Wild One (02:37)
17. Nowhere To Run (02:47)
18. Never Leave Your Baby's Side (02:07)
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