Label: Legascy Records (Europe), 82796978732
Style: Rock, Glam Rock
Country: Hereford, Herefordshire, England
Time: 69:06
Format: Flac Tracks 16/44,1 kHz
Size: 443 Mb
Charts: UK No. 11 / US No. 28 / Can. No. 28
Having played in a number of different rock bands in Hereford, England, during the late 60s, the founding members of this outfit comprised Overend Watts (Peter Watts, 13 May 1947, Birmingham, England; vocals/bass), Mick Ralphs (b. Michael Geoffrey Ralphs, 31 May 1944, Hereford, Herefordshire, England; vocals/guitar), Verden Allen (b. 26 May 1944, Hereford, England; organ) and Dale Griffin (b. 24 October 1948, Ross-on-Wye, England; vocals/drums). After dispensing with their lead singer Stan Tippens, they were on the point of dissolving when Ralphs sent a demo tape to Island Records producer Guy Stevens. He responded enthusiastically, and after placing an advertisement in Melody Maker, they auditioned a promising singer named Ian Hunter (b. 3 June 1946, Shrewsbury, Shropshire, England; vocals, keyboards, guitar). In June 1969 Stevens christened the band Mott The Hoople, after the novel by Willard Manus. Their self-titled debut album revealed a very strong Bob Dylan influence, most notably in Hunter's nasal vocal inflexions and visual image. With his corkscrew hair and permanent shades Hunter bore a strong resemblance to vintage 1966 Dylan and retained that style for his entire career.
Their first album, with its M.C. Escher cover illustration, included pleasing interpretations of the Kinks' 'You Really Got Me' and Sonny Bono's 'Laugh At Me', and convinced many that Mott would become a major band. Their next three albums trod water, however, and it was only their popularity and power as a live act that kept them together. Despite teaming up with backing vocalist Steve Marriott on the Shadow Morton -produced 'Midnight Lady', a breakthrough hit remained elusive. On 26 March 1972, following the departure of Allen, they quit in disillusionment. Fairy godfather David Bowie convinced them to carry on, offered his assistance as producer, placed them under the wing of his manager, Tony De Fries, and even presented them with a stylish UK Top 5 hit, 'All The Young Dudes'. The catchy 'Honaloochie Boogie' maintained the momentum but there was one minor setback when Ralphs quit to form Bad Company. With new members Morgan Fisher (b. 1 January 1950, London, England) and Ariel Bender (b. Luther Grosvenor, 23 December 1949, Evesham, Worcestershire, England) the band enjoyed a run of further UK Top 10 hits including 'All The Way From Memphis' and 'Roll Away The Stone'. During their final phase, Bowie's sideman Mick Ronson (b. 26 May 1945, Hull, Yorkshire, England, d. 30 April 1993) joined the band in place of Grosvenor (who had departed to join Widowmaker). Preparations for a European tour in late 1974 were disrupted when Hunter was hospitalized suffering from physical exhaustion, culminating in the cancellation of the entire tour. When rumours circulated that Hunter had signed a recording contract instigating a solo career, with Ronson working alongside him, the upheaval led to an irrevocable rift within the band, resulting in the stormy demise of Mott The Hoople. With the official departure of Hunter and Ronson, the remaining members, Watts, Griffin and Fisher, determined to carry on, working simply as Mott.
(oldies.com/artist-biography/Mott-Hoople.html)
01. The Golden Age Of Rock 'N' Roll (03:25)
02. Marionette (05:08)
03. Alice (05:20)
04. Crash Street Kidds (04:31)
05. Born Late '58 (04:00)
06. Trudi's Song (04:26)
07. Pearl 'N' Roy (England) (04:31)
08. Through The Looking Glass (04:37)
09. Roll Away The Stone (03:10)
10. Where Do You All Come From (Non-LP B-Side Of ''Roll Away The Stone'') (03:26)
11. Rest in Peace (Non-LP B-Side Of ''The Golden Age Of Rock 'N' Roll'') (03:55)
12. Foxy Foxy (Non-LP Single A-Side) (03:31)
13. (Do You Remember) The Saturday Gigs (Non-LP Single A-Side) (04:20)
14. The Saturday Kids (Work In Progress Mixes) (06:03)
15. Lounge Lizzard (Aborted Single B-Side) (04:19)
16. American Pie / The Golden Age Of Rock 'N' Roll (Live From Broadway) (04:15)
No comments:
Post a Comment