Label: Blue Note, Audio Wave (US), 84041, AWMXR-0004
Style: Tenor Saxophone, Jazz, Hard Bop
Country: New York City, U.S. (June 7, 1932 - August 13, 1974)
Time: 37:32
Format: Flac Tracks 16/44,1 kHz
Size: 267 Mb
Harold Floyd Brooks was born in Fayetteville, North Carolina, and was the brother of David "Bubba" Brooks. The nickname "Tina", pronounced Teena, was a variation of "Teeny", a childhood moniker. His favourite tune was "My Devotion". He studied harmony and theory with Herbert Bourne.
Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks' first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist Lionel Hampton. Brooks also received less-formal guidance from trumpeter and composer "Little" Benny Harris, who led the saxophonist to his first recording as a leader. Harris recommended Brooks to Blue Note producer Alfred Lion in 1958.
Until 1980, True Blue remained the only Brooks album commercially released. In 1980, Blue Note Japan released the Minor Move and Street Singer albums, the latter jointly credited to Jackie McLean. In 1985, Mosaic Records released The Complete Blue Note Recordings Of The Tina Brooks Quintets on a 4-LP set, which made Back to the Tracks and The Waiting Game available for the first time. The Mosaic set, a limited edition produced by Michael Cuscuna, is out of print. In the CD era, all of Brooks' Blue Note sessions as a leader or co-leader have been released on CD, including on releases by Blue Note Japan and Blue Note's Connoisseur series.
In the liner notes for the CD release of Back to the Tracks, Cuscuna wrote: "Far lesser talents have been far more celebrated" and that Brooks "was a unique, sensitive improviser who could weave beautiful and complex tapestries through his horn. His lyricism, unity of ideas and inner logic were astounding."
David Rosenthal in his book Hard Bop: Jazz and Black Music 1955-1965 wrote about Brooks. Of his composition "Street Singer", Rosenthal wrote that it is "an authentic hard-bop classic" where "pathos, irony and rage come together in a performance at once anguished and sinister."
The official Blue Note website says of Brooks: "With a strong, smooth tone and an amazing flow of fresh ideas every time he soloed, tenor saxophonist Tina Brooks should have been a major jazz artist, but his legacy is confined to a series of dates that he did for Blue Note as a sideman and leader" and that he "was one of the most brilliant, if underrated, tenor saxophonists in modern jazz."
(en.wikipedia.org/wiki/Tina_Brooks)
01. Good Old Soul (08:03)
02. Up Tight's Creek (05:19)
03. Theme For Doris (05:48)
04. True Blue (04:54)
05. Miss Hazel (05:34)
06. Nothing Ever Changes My Love For You (07:51)
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