Label: Epic / Sony Records (Japan), ESCA 5536
Style: Jazz Rock, Fusion, Progressive Rock
Country: Canterbury, England
Time: 76:40
Format: Flac Tracks 16/44,1 kHz
Size: 415 Mb
Definetely a class act, Soft Machine never had a stable line-up and became a refuge for Nucleus members as these continued to replace departing members. Karl Jenkins is a much needed new blood (replacing Elton Dean on reeds but also playing KB along with Ratledge) as the group inspiration was waning. But in this album, the newer members make their presence felt. For the first time in a while, a tracks gets group credits as opposed to individual ones and others are collaborations. the vast majority of the tracks are penned by Ratledge or Jenkins and Hopper takes a back seat.
One disc is live and the other is studio . The live album is made of two 20 min long tracks made of separate section a bit in the mini-suite mode. Clearly the first track is a renewal of the Machine and sets the direction towards fusion. the second tracks is much in the same mode but interrupted by a drum solo. The second vinyl disc was much shorter in lenght but showed that the Jenkins-Ratledge tancem was also working fine in studio. Only the last track is more in Hugh Hopper's mood - going in a typical RIO direction.
In the middle period of Soft Machine (from 4 until 7), this is the better album to start with and is recommended to all that loved Third and Bundles.
(progarchives.com/album.asp?id=3240) Review by Sean Trane. February 3, 2004
01. Fanfare (00:42)
02. All White (04:46)
03. Between (02:33)
04. Riff (04:28)
05. 37 1-2 (06:55)
06. Gesolreut (06:13)
07. E.P.V. (02:50)
08. Lefty (05:02)
09. Stumble (01:36)
10. 5 From 13 (For Phil Seamen With Love & Thanks) (05:15)
11. Riff 11 (01:29)
12. The Soft Weed Factor (11:16)
13. Stanley Stamps Gibbon Album (For B.O.) (05:58)
14. Chloe And The Pirates (09:33)
15. 1983 (07:56)
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