Label: Victor Records (Japan), VICP-63172
Style: Symphonic Rock
Country: London, England
Time: 39:08
Format: Flac Tracks 16/44,1 kHz
Size: 281 Mb
After their debut live gigs in August 1970, the band toured across the UK and Europe for the rest of the year, during which their debut album, Emerson, Lake & Palmer, was released. While on tour, Emerson found that he and drummer Carl Palmer were exploring more complex rhythmic ideas. He took patterns that Palmer was playing on his practise drum pads and found that they complemented runs that he had developed on the piano, and used this as a basis for material on Tarkus. The group approached the album by having a centrepiece track in order to establish a concept, but a definite story or idea for it had not been discussed at this stage.
The group paused touring commitments in December 1970 and set the following month aside to record. As with their debut, the band recorded at Advision Studios in London with Lake handling the production duties and Eddy Offord returning as engineer. Early into the sessions Emerson presented the basis of the title track to Lake and Palmer; Lake was less than enthusiastic with its direction and threatened to leave the group. A subsequent meeting amongst the band and their management convinced Lake to stay, and he went on to contribute to the track and most of the other songs on the album including the lyrics, for which he used the artwork as inspiration. Although Lake thought the opening was "too demonstrative" for the sake of being clever, he did not want to split the group over such an issue and got into the album as recording went on. The band could only work out "Tarkus" during the January 1971 studio sessions, so they booked further time at Adivsion in February to work on side two, for which they had no material prepared.
The album was features artwork by Scottish artist William Neal, whose armadillo has since became an iconic image in progressive rock. Neal was involved with the London-based CCS Associates which typically produced art for reggae albums but occasionally they were given other records to work on, which was the case with Tarkus. When the band rejected the designs already completed, Neal recalled: "On one of my drawings, there was a small doodle at the bottom of the page. This was of an armadillo with tank tracks on it but it was just an idea that wasn't really going anywhere." It originated from one of Neal's initial designs of a machine gun with a belt of bullets replaced by a row of keyboard keys, which he inadvertently sketched on with a pencil during a phone conversation which produced the tank image. Emerson liked it and suggested it be developed "into more of a cartoon story", as by which point he had written "Tarkus" and thought the music fit with the imagery. Neal was given a copy of the album to listen to while he completed the final cover, which inspired the other drawings. The gatefold presents eleven panels that illustrate the events of the title track, beginning with an erupting volcano, below which Tarkus emerges from an egg. Tarkus then faces a number of cybernetic creatures, culminating in the battle against the manticore which stings Tarkus's eye, and Tarkus retreats bleeding into a river.
(en.wikipedia.org/wiki/Tarkus)
01. Tarkus (20:52)
02. Jeremy Bender (01:49)
03. Bitches Crystal (03:59)
04. The Only Way (Hymn) (03:50)
05. Infinite Space (Conclusion) (03:21)
06. A Time And A Place (03:01)
07. Are You Ready Eddy (02:13)
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